Maria Schneider: Taking Action against ‘Data Lords’

  I  
Image

When Maria Schneider (pictured) testified before Congress about the current U.S. copyright law’s (DMCA) notice and takedown provisions, she urged legislators to make major changes.

(Photo: Jimmy Katz)

When Maria Schneider testified before Congress about the current U.S. copyright law’s (DMCA) notice and takedown provisions, she urged legislators to make four major changes:

1) Congress should require streaming services that want protection from copyright infringement lawsuits to effectively educate their users on creators’ rights, including a commonsense set of “checkpoints” at the time of upload. Uploaders should have to sign a statement, under penalty of perjury, verifying ownership, permission or precise grounds of “fair use”—just as copyright owners must do for a takedown.

2) The use of fingerprinting technology (like YouTube’s Content ID) should be required of all streaming services. Fingerprinting for blocking uploads should be offered to all copyright holders, without discrimination.

3) Companies should be required to use and share the best technologies available to prevent infringement.

4) “Take down” should mean “stay down,” so that musicians are not stuck in an endless game of “whack-a-mole.”

Schneider and other songwriters founded MusicAnswers.org to educate and mobilize musicians as well as consumers. “Every musician and fan should sign onto our campaign,” Schneider said. “Go to MusicAnswers.org, get educated and sign our Declaration of Principles. Google and other large corporations heavily lobby Congress. But we have our numbers and our stories. We need everyone on board, so we can become a massive force to be reckoned with.

“The music-buying public needs to understand which music sites to patronize and which to avoid. We care so much about the sourcing of our food and our clothing. We want music fans to be just as careful about the sourcing of their music.” DB



  • Casey_B_2011-115-Edit.jpg

    Benjamin possessed a fluid, round sound on the alto saxophone, and he was often most recognizable by the layers of electronic effects that he put onto the instrument.

  • Charles_Mcpherson_by_Antonio_Porcar_Cano_copy.jpg

    “He’s constructing intelligent musical sentences that connect seamlessly, which is the most important part of linear playing,” Charles McPherson said of alto saxophonist Sonny Red.

  • Albert_Tootie_Heath_2014_copy.jpg

    ​Albert “Tootie” Heath (1935–2024) followed in the tradition of drummer Kenny Clarke, his idol.

  • Geri_Allen__Kurt_Rosenwinkel_8x12_9-21-23_%C2%A9Michael_Jackson_copy.jpg

    “Both of us are quite grounded in the craft, the tradition and the harmonic sense,” Rosenwinkel said of his experience playing with Allen. “Yet I felt we shared something mystical as well.”

  • 1_Henry_Threadgills_Zooid_by_Cora_Wagoner.jpg

    Henry Threadgill performs with Zooid at Big Ears in Knoxville, Tennessee.


On Sale Now
May 2024
Stefon Harris
Look Inside
Subscribe
Print | Digital | iPad