Apr 2, 2024 12:59 PM
Saxophonist, Sonic Explorer Casey Benjamin Dies at 45
Casey Benjamin, the alto saxophonist, vocalist, keyboardist and producer who stamped his distinctive sounds on the…
Emmet Cohen holds his first-place trophy at the American Pianists Association finals at the Hilbert Circle Theatre in Indianapolis on April 6.
(Photo: ©Mark Sheldon)The American Pianists Association crowned Emmet Cohen as the winner of its 2019 competition on April 6 in Indianapolis. During the final round of the competition at the Hilbert Circle Theatre, Cohen teamed with singer Kurt Elling to deliver an elegant duo rendition of Marvin Fischer and Jack Segal’s “I Keep Goin’ Back To Joe’s.” During the second half of the evening, Cohen performed an invigorating Fats Waller medley with the Buselli-Wallarab Jazz Orchestra.
As the recipient of the 2019 Cole Porter Fellowship, Cohen will receive a $50,000 prize, the opportunity to record with Mack Avenue Records, two years of career management, and a two-year stint as artist-in-residence at the University of Indianapolis. The 28-year-old Miami-bred, New York-based pianist is a veteran of several jazz competitions.
This year marked Cohen’s third participation with the American Pianists Awards. In 2011, he placed third at the Thelonious Monk Institute of Jazz International Piano Competition.
Joel Harrison, the American Pianists Association’s artistic director and president/CEO, has witnessed Cohen’s musical growth over the years, since he first participated in 2011. Harrison noted that Cohen would make a wonderful ambassador to the American Pianists Association, and then added: “He came beautifully prepared, focused and [displayed] marvelous pianism with imagination. That all came forward and it worked for him in every way possible.”
“Emmet’s a fantastic player. I enjoy how he works the keyboard in a fashion as if it’s a part of his body,” said Will Wakefield, one of the judges. “All of [the finalists] can play. But it’s the artistic choices they make about the arrangements and their approach that tells the story. There needs to be an arc to that story.”
The other judges were Helen Sung, Renee Rosnes, Stanley Cowell and Chris Mees. Singer Dee Dee Bridgewater served as host.
Cohen already has a burgeoning discography that includes the 2019 leader project Dirty In Detroit, as well as studio sessions with trumpeter Brian Lynch and drummer Herlin Riley. Cohen has played with numerous jazz elders, including drummers Billy Hart and Jimmy Cobb and bassist Ron Carter. Those collaborations with jazz masters and deep investigations inside the jazz canon have informed his playing in terms of idiomatic dexterity and inventiveness.
“Each one of those experiences with masters has taught me something different,” said Cohen, who documents such collaborations in his “Master Legacy Series.” “I learned consistency, groove and playing straight down the middle from Jimmy Cobb. From Tootie Heath, I learned how to add humor and how to find the funny moments in life and relate it to the music. From Ron Carter, I learned about being serious; he’s committed to every single note that he plays.”
During an April 5 semifinals performance at the Indianapolis jazz club the Jazz Kitchen, Cohen performed in both solo and trio settings (with bassist Jeremy Allen and drummer Kenny Phelps). Cohen displayed his fondness for early repertoire during two sets that included rapturous readings of Duke Ellington’s “Black And Tan Fantasy” and the Carroll Dickerson-penned gem “Symphonic Raps” (popularized by Louis Armstrong).
Benjamin possessed a fluid, round sound on the alto saxophone, and he was often most recognizable by the layers of electronic effects that he put onto the instrument.
Apr 2, 2024 12:59 PM
Casey Benjamin, the alto saxophonist, vocalist, keyboardist and producer who stamped his distinctive sounds on the…
“He’s constructing intelligent musical sentences that connect seamlessly, which is the most important part of linear playing,” Charles McPherson said of alto saxophonist Sonny Red.
Feb 27, 2024 1:40 PM
“I might not have felt this way 30 to 40 years ago, but I’ve reached a point where I can hear value in what people…
Albert “Tootie” Heath (1935–2024) followed in the tradition of drummer Kenny Clarke, his idol.
Apr 5, 2024 10:28 AM
Albert “Tootie” Heath, a drummer of impeccable taste and time who was the youngest of three jazz-legend brothers…
“Both of us are quite grounded in the craft, the tradition and the harmonic sense,” Rosenwinkel said of his experience playing with Allen. “Yet I felt we shared something mystical as well.”
Mar 12, 2024 11:42 AM
“There are a few musicians you hear where, as somebody once said, the molecules in the room change. Geri was one of…
Henry Threadgill performs with Zooid at Big Ears in Knoxville, Tennessee.
Apr 9, 2024 11:30 AM
Big Ears, the annual four-day music celebration that first took place in 2009 in Knoxville, Tennessee, could well be…
