Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Pianist Andrew Hill died on Friday after a lengthy battle with lung cancer. He was 75.
A true modernist, Hill’s compositions displayed an esthetic and intellectual stance that was new to jazz in the early ‘60s when he began recording for Blue Note. The way he used repetition, asymmetry, dissonance and silence were not found in the music of his acknowledged influences: Thelonious Monk, Bud Powell and Art Tatum.
Hill was born in Chicago on June 30, 1937, attended the University of Chicago’s lab school and performed a novelty act in talent shows as a youth. He began playing piano at 13 and had composition lessons from William Russo and Paul Hindemith while still a teen; he also backed Charlie Parker and Miles Davis in local clubs.
Hill left Chicago in 1961 to join Dinah Washington in New York City, where he also backed Al Hibbler and Johnny Hartman. After a gig with Roland Kirk in California in 1962, Hill returned to New York, where he began recording for Blue Note both as a leader with three startling sessions in eight months. Those sessions resulted in the landmark albums, Point of Departure , Black Fire and Judgment! . He also worked as a sideman on dates with Freddie Hubbard, Eric Dolphy, Joe Henderson and Woody Shaw.
In 1965 Hill became music coordinator for Amiri Baraka’s Black Arts Repertory Theatre; and in 1970 he worked as composer-in-residence at Colgate University, where he received his doctorate. Hill toured with the Smithsonian Heritage Program (1972-‘75) and received a fellowship from that institution. He later taught in prisons and public schools in California while continuing to record.
Hill’s final years were especially productive. He recorded Dusk (Pametto, 1999) and a two-CD set with his big band, A Beautiful Day (Palmetto, 2003). His recent Time Lines (Blue Note) received the 2006 DownBeat critics poll album of the year award.
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
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Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
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Every April for the past quarter century, something remarkable has happened across the United States and far beyond.…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
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Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…
Bollani demonstrates at the piano during a live Blindfold Test in Umbria, Italy, while writer Ashley Kahn, right, and translator Greg Burk look on.
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Raconteur, bon vivant and popular television host Stefano Bollani is also one of Italy’s best-known pianists, a rare…
