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“I love the fact that when some people think about my music they think of it as joyous, but there is darkness inside,” Anat Cohen says. “We are complex humans.”

(Photo: R. Sutherland-Cohen)

Anat Cohen: Finding Connection

Anat Cohen, in conversation, is disarmingly present and fully invested. One gets the feeling that in most interactions she rarely leaves much unexplored, no stone unturned: a…


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    A recent batch of great jazz from today’s most caliente Latin artists, clockwise from top left: Zaccai Curtis, Salsa de la Bahia, Melfis Santa, Leiba Trio, Duduka Da Fonseca Trio, Hamilton De Holanda & Gonzalo Rubalcaba, Diego Figueiredo and The John Santos Sextet & Friends.

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    “It sounds together, there’s nothing random, yet hardly anything was said,” saxophonist Ohad Talmor said of Back To The Land.

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    “Why, being a classically trained musician, do I have to only play the obvious themes?” asks Kristin Lee.

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    “This is one of the great gifts that Coltrane gave us — he gave us a key to the cosmos in this recording,” says John McLaughlin.

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    Charles Lloyd (left) and Julian Lage perform at the Zakir Hussain memorial concert on Feb. 28.

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    “This music is really about honoring my forebearers and expressing gratitude to my parents and my grandparents,” Kono says about Voyages.

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    “I attribute the jazz elements to my upbringing in the Black American classical pedagogy, to my grandparents Kenny and Joanne Barron,” says NIKARA.

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    “Not in a million years, man,” said saxophonist Jeff Coffin about imagining if he’d be inducted into the Rock ’n’ Roll Hall of Fame. He was last year.

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    Joel Ross says that Warren Wolf has the best mix of instrumental technique and a deep understanding of multiple types of music.

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    Ayers began to play the vibraphone at age 5 after seeing a performance by Lionel Hampton, who gave him a pair of vibraphone mallets.

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April 2025
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