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“I figured you’d get this one,” laughed John Clayton, left, after Rufus Reid guessed Billy Childs. “This one’s a little soft pitch.”

(Photo: Frank Alkyer)

Blindfold Test: John Clayton & Rufus Reid, Part I

When the International Society of Jazz Arrangers and Composers symposium hit Nashville in May, one of the most anticipated sessions of the weekend happened to be a live Blindfold…





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Miguel Zenón

Música de Las Américas
(Miel)


Jon Irabagon
Rising Sun
(Irabagast)


Brian Charette
Jackpot
(Cellar Live)


Harish Raghavan
In Tense
(Whirlwind)


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Max Light

Chaotic Neutral
(AGS)


Yelena Eckemoff
Romance Of The Moon
(L & H Production)


Jacky Terrasson
Moving On
(Earth-Sounds)


Nicola Caminiti
Vivid Tales Of A Blurry Self-Portrait
(Independent Release)


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Albert Ayler

Albert Ayler: The Truth Is Marching In

In a restaurant-bar in Greenwich Village, tenor saxophonist Albert Ayler was ruminating on the disparity between renown and income. In his case, anyway. Covers of his albums are prominent in the windows of more and more jazz record stores; references to him are increasingly frequent in jazz magazines, here and abroad; a growing number of players are trying to sound like him.

“I’m a new star, according to a magazine in England,” Ayler said, “and I don’t even have fare to England. Record royalties? I never see any. Oh, maybe I’ll get $50…


Growing Up Monk




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