Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Charles Lloyd’s Sangam featuring Zakir Hussain and Eric Harland will perform at this year’s Big Ears Festival.
(Photo: Courtesy Big Ears Festival)Knoxville, Tennessee’s Big Ears Festival has announced the daily schedule for its 12th edition, which runs March 27–30 in downtown Knoxville. Featuring nearly 200 concerts spread across 14 venues, plus films, conversations, exhibitions, workshops and interactive experiences, the genre-defying festival remains an iconic gathering of many of the world’s most influential and visionary musical creators.
Alongside the day-by-day schedule announcement, Big Ears has announced the additions of the improvising electronica outfit Darkside, Charles Lloyd’s Sangam (featuring Zakir Hussain and Eric Harland) and the Knoxville Symphony Orchestra, who will perform a special program that includes Rhapsody in Blue Reimagined featuring pianist Lara Downes along with Tyshawn Sorey’s 2024 Pulitzer Prize-winning work Adagio (for Wadada Leo Smith) with special guests to be announced.
In addition, a limited allotment of single-day passes — both general admission and premier — are available alongside remaining four-day weekend passes.
To view the full festival lineup by day and to purchase passes, CLICK HERE. DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
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“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
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In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…