Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
The New Orleans Jazz and Heritage Festival continued late into the night on Friday, April 29 with a free improvised set by bassist Cecil McBee and alto player, Gary Bartz. Joined by local composer, Hannibal Lokumbe on trumpet and Adonis Rose on drums, McBee and Bartz rounded out their group with percussionist, Alfred Uganda Roberts, who made his mark recording with Allen Toussaint, Professor Longhair and the Wild Magnolias back in the ‘70s. Playing to a small crowd of locals, McBee combined a New Orleans sense of rhythm and blues with odd times that sounded like they were caught somewhere between funk and free jazz.
At the Fairgrounds yesterday, Jamie Cullum played a new composition he said he wrote over the holidays when he was visiting family, looking at old photos. Using just piano and voice, the ballad, “Ordinary Life,” showcased Cullum’s rich rasp well, but some of his usual energy was lost on the big stage. Still, he managed to win back the baking hot audience with his Coldplay cover, “High And Dry.”
Playing a much funkier brand of piano, Henry Butler heated up the blues tent with a few tunes from his new album, “Homeland,” while the New Orleans Klezmer Allstars brought a little rock to their Klezmer swamp-funk with the help of a large dose of guitar feedback. Nicholas Payton joined the Doc Cheatham Tribute, playing traditional classics like Fats Waller’s “What Did I Do To Be So Black and Blue.” While Payton shines among older players, though, he seemed constricted by the formal format of the music and a somewhat predictable order of solos. Payton’s Sonic Trance plays today in the Jazz Tent, where the leader should feel more comfortable letting as loose as he does on the album.
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
“These days, with curated news, where people only get half the story, people can’t even speak to family members anymore,” Schneider laments.
Mar 10, 2026 1:43 PM
Maria Schneider is doing her part to try to fix what ails America. Which got her thinking about crows, specifically,…
Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
Mar 30, 2026 10:20 PM
Every April for the past quarter century, something remarkable has happened across the United States and far beyond.…
Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
Apr 7, 2026 1:21 PM
There’s pluralism, then there’s PLURALISM! — and then there’s Big Ears. Thurston Moore, who participated in…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
Apr 21, 2026 10:00 AM
Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…
