Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Chicago clarinetist and baritone saxophonist Frank Chace died Friday, Dec. 28, 2007. He was 83.
Chace was influenced by Pee Wee Russell and was on the Chicago traditional jazz scene for decades. He was featured on Dewey Jackson’s 1952 Live At The Barrel, recently released by Delmark.
Chace was born July 22, 1924, in Chicago. He went to Yale for a year before being drafted in 1943. He first recorded in 1951 on a few 78s introducing Marty Grosz on the Jolly Roger label. Chace also appeared on a Savoy album by Wild Bill Davidson.
After returning to Chicago he played with the Salty Dogs at the Blue Note, now available on a Windin’ Ball CD, then did another Windin’ Ball date with Natty Dominique, Floyd O’Brien, Lil Armstrong, Israel Crosby and Baby Dodds.
He recorded for Soma with Doc Evans in 1957 and later appeared on Atlantic in a Chicago Jazz Summit with Wild Bill Davidson, Eddie Condon and Art Hodes. Sessions recorded by John Steiner with Jabbo Smith have recently been acquired by GHB.
Chace also appeared on a Dave Remington Jubilee album, Chicago Jazz Reborn. He also was featured on a 1957 Riverside session with Marty Grosz, Hooray For Bix! and a 1967 session for Jim Kweskin Jump For Joy!.
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
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In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
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As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
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If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…