Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Tony Bennett joined together with the legendary jazz pianist Bill Evans for two albums of duets recorded in 1975 and 1976. The two LPs along with numerous alternate takes and bonus tracks are combined on the two-CD The Complete Tony Bennett/Bill Evans Recordings, slated for a release on Concord’s Fantasy imprint on April 14. Featuring sessions originally produced by Evans’ longtime manager Helen Keane, the new compilation is produced by Nick Phillips.
Originally released in 1975 on Fantasy, The Tony Bennett/Bill Evans Album, the first meeting of the vocalist and pianist, featured the pair performing standards, as well as a moving rendition of the pianist’s classic tune, “Waltz for Debby” (with lyrics written by Gene Lees). Other standards include “But Beautiful,” “The Days of Wine and Roses,” “Young and Foolish” and “The Touch of Your Lips.”
Bennett recalls that the pair didn’t even discuss song choices before the session: “I would name a tune, and Bill would say, ‘That’s good, let’s do that.’ We’d find a key and then the two of us would work it out. For about 45 minutes, we’d work out the arrangement, he’d say, ‘Do you wanna modulate here? How many choruses do you want?’ And then we would play it through and work out all the changes and all that. We spent three days doing that, until we had nine songs in the can.”
In 1976, Bennett and Evans returned to the studio for Together Again for Improv Records (and later reissued on Concord Records). It’s another low-lights, high-improv date of standards that opens with an Evans solo rendition of “The Bad and the Beautiful” and continues with such moving renditions of “Lucky to Be Me,” “You’re Nearer,” “You Don’t Know What Love Is,” “Lonely Girl,” “You Must Believe in Spring” and another Evans’ original, “The Two Lonely People” (with lyrics by Carol Hall).
Both sessions—recorded together, not in isolation booths—yielded several fine alternate takes that are included on The Complete Tony Bennett/Bill Evans Recordings, as well as two bonus tracks from the second date, with a superb version of Cole Porter’s “Dream Dancing.”
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
Larry Appelbaum with Wayne Shorter in 2012.
Feb 25, 2025 10:49 AM
Larry Appelbaum, a distinguished audio engineer, jazz journalist, historian and broadcaster, died Feb. 21, 2025, in…
