Premiere: Hear the Title Track from Melissa Aldana’s Upcoming Motéma Album, ‘Visions’

  I  
Image

Melissa Aldana says that Visions connects her work “to the legacy of Latina artists who have come before me.”

(Photo: Anna Yatskevich)

Drawn from a 2018 Jazz Gallery commission inspired by the life of artist Frida Kahlo, saxophonist and bandleader Melissa Aldana is set to release Visions on May 24 through the Motéma label.

Aldana, winner of the 2013 Thelonious Monk Institute of Jazz International Saxophone Competition, recorded the album with an ensemble that includes vibraphonist Joel Ross. And it’s the connection Aldana and Ross forge on the title track, premiering below, that helps make the recording such a monumental statement. While encouraging her bandmates to take advantage of each composition’s space for improvisation, it’s Aldana and Ross’ ferocious exploration of the song’s theme that displays the deft musicality Visions showcases over 12 cuts.

“This movement is the musical representation of my own explorations of self-identity that every woman and every artist faces, and includes feelings of pain, mistrust, exhilaration and relief,” the bandleader said about the opening portion of the album, which includes that initial 2018 commission. “Experimenting both harmonically and rhythmically with moments of frantic movement interspersed with order and structure is one of the ways I conjure the messiness, struggles and heartbreaking contradictions present in these visions of identity and self-worth.”

As an added wrinkle of interest, the album’s cover art is by vocalist Cécile McLorin Salvant, who currently is on the road with Aldana as part of the Monterey Jazz Festival on Tour.

For more information about Visions, visit the Motéma website. DB



  • John_and_Gerald_Clayton_by_Paul_Wellman_copy.jpg

    Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.

  • Emily_Remler_-_Photo_by_Brian_McMillen_%284%29_copy_2.jpg

    “She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”

  • Deerhead_Inn_courtesy_Poconogo.com_copy.jpg

    The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.

  • Renee_Rosnes_lo-res.jpg

    “The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”

  • Ted_Nash_Alexa_Tarantino_by_Gilberto_Tadday_copy.jpg

    As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.


On Sale Now
March 2025
Anat Cohen
Look Inside
Subscribe
Print | Digital | iPad