More Monk Reissues On The Way

  I  

Columbia/Legacy Jazz will release four Thelonious Monk reissues, reworked and supplemented with previously unreleased tracks, on August 19.

As a follow-up to albums re-released last year, the 20-year anniversary of the pianist’s death, Orrin Keepnews has resurrected more 1960s Monk from the Columbia vaults comprising Criss-Cross, It’s Monk’s Time, Solo Monk and Underground.

Each album contains the original liner notes and cover art along with new notes from Keepnews and essays by Dick Katz or Peter Keepnews.

Criss-Cross (1963), Monk’s second Columbia release, with Charlie Rouse on tenor, John Ore on bass and drummer Frankie Dunlop, includes a solo version of “Don’t Blame Me” along with alternate takes of “Tea For Two” and “Eronel.”

Eleven months and two concert albums later, Monk’s third Columbia studio album, It’s Monk’s Time (1964), had Butch Warren on bass and Ben Riley on drums mixing originals and standards. The reissue has three bonus tracks including a complete version of the closing “Epistrophy” and an alternate take of “Shuffle Boil.”

Solo Monk (1965) originally included 12 tracks, five of which were new to Monk’s repertoire at the time. The reissue has 31 minutes of additional music including seven alternate takes from the same sessions and two tracks, “Introspection” and “Darn That Dream,” originally issued on the 1979 double-LP Always Know.

Monk’s final Columbia LP, Underground (1968), has alternate takes of Monk compositions “Boo Boo’s Birthday,” “Ugly Beauty” and “Thelonious.” Jon Hendricks also appears, improvising lyrics on “In Walked Bud.”

Columbia’s long campaign of Monk reissues has helped to preserve the innovative music he made over 40 years ago. As Monk friend Baroness Pannonica de Koenigswarter wrote in the original notes for Criss-Cross, Monk “is agreed by one and all to be synonymous with ‘genius’.”

For more information, go to www.legacyrecordings.com or www.thelonious-monk.com



  • Cassandra_Wilson_%40_2026_Mark_Sheldon-2_copy_2.jpg

    Wilson’s ability to connect to audiences helped her to win two Grammy awards and multiple other accolades. She was named an NEA Jazz Master in 2022.

  • GB_Headshot_copy.jpg

    Bertoncini was a specialist and advocate for the nylon-string acoustic guitar, turning down high-profile opportunities that were unsuited to the sound and techniques that he used with that instrument.

  • DB26_Joshua_Redman_Courtesy_Joshua_Redman.jpg

    A solo concert by saxophonist Joshua Redman will close the first night of the Hyde Park Jazz Festival on Sept. 26.

  • Coltrane_John_by_Joe_Alper_copy.jpeg

    “It was just that suddenly … I could hear it,” Ravi Coltrane said of an epiphany he experienced during his late teens regarding his father’s music. “And it was almost like a calling, like something saying, ‘Hey, man, come on. It’s time to get serious.’ And the first time you really tune in and dial in and focus like that, it can be very life-changing.”

  • Thurman_copy.jpeg

    Camille Thurman took to the stage alongside bassist Kenny Davis and drummer Tommy Campbell for a rendition of Johnny Mercer’s “I’m An Old Cowhand” that recalled Rollins’ epochal 1957 trio outing Way Out West.