Jun 17, 2025 11:12 AM
Kandace Springs Sings Billie Holiday
When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…
Columbia/Legacy Jazz will release four Thelonious Monk reissues, reworked and supplemented with previously unreleased tracks, on August 19.
As a follow-up to albums re-released last year, the 20-year anniversary of the pianist’s death, Orrin Keepnews has resurrected more 1960s Monk from the Columbia vaults comprising Criss-Cross, It’s Monk’s Time, Solo Monk and Underground.
Each album contains the original liner notes and cover art along with new notes from Keepnews and essays by Dick Katz or Peter Keepnews.
Criss-Cross (1963), Monk’s second Columbia release, with Charlie Rouse on tenor, John Ore on bass and drummer Frankie Dunlop, includes a solo version of “Don’t Blame Me” along with alternate takes of “Tea For Two” and “Eronel.”
Eleven months and two concert albums later, Monk’s third Columbia studio album, It’s Monk’s Time (1964), had Butch Warren on bass and Ben Riley on drums mixing originals and standards. The reissue has three bonus tracks including a complete version of the closing “Epistrophy” and an alternate take of “Shuffle Boil.”
Solo Monk (1965) originally included 12 tracks, five of which were new to Monk’s repertoire at the time. The reissue has 31 minutes of additional music including seven alternate takes from the same sessions and two tracks, “Introspection” and “Darn That Dream,” originally issued on the 1979 double-LP Always Know.
Monk’s final Columbia LP, Underground (1968), has alternate takes of Monk compositions “Boo Boo’s Birthday,” “Ugly Beauty” and “Thelonious.” Jon Hendricks also appears, improvising lyrics on “In Walked Bud.”
Columbia’s long campaign of Monk reissues has helped to preserve the innovative music he made over 40 years ago. As Monk friend Baroness Pannonica de Koenigswarter wrote in the original notes for Criss-Cross, Monk “is agreed by one and all to be synonymous with ‘genius’.”
For more information, go to www.legacyrecordings.com or www.thelonious-monk.com
“There’s nothing quite like it,” Springs says of working with an orchestra. “It’s 60 people working in harmony in the moment. Singing with them is kind of empowering but also humbling at the same time.”
Jun 17, 2025 11:12 AM
When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…
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