Tin Palace Gets Jazz Shrine Salute

  I  

The BMCC Tribeca Performing Arts Center has announced its 2007 Lost Jazz Shrines series, which will focus on New York’s Tin Palace.

This year’s Jazz Shrines encompasses three concerts featuring Oliver Lake, Reggie Workman, Andrew Cyrille, the Luciana Souza Trio, Giacomo Gates, George V. Johnson, Jr. and others. The series’ two remaining concerts will be held June 1 and June 15.

Each concert is proceeded by a free Humanities Program with live interviews and films, showcasing some of the celebrated figures associated with the venue, including Paul Pines, former owner and music booker.

Tin Palace opened in the fall of 1970 at Bowery and Second Street in New York’s East Village. Pines presented an array of jazz from classics and standards to fusion as well as a series of Brazilian percussionists, some of whom used silverware and salt shakers as musical instruments. 

Tickets for the concerts are $25 for general admission, $15 for students and seniors.

For more information or to order tickets, visit: www.tribecapac.org



  • Sonny_Rollins_by_Michael_Jackson_copy.jpg

    Onstage, Rollins would move about restlessly, thrusting his tenor sax in the air as he blew.

    Sonny Rollins Passes Away at 95

    Sonny Rollins, the iconic saxophonist, composer and improviser whose career stretched from the origins of bebop to 21st…

  • Courtesy_of_the_Ulmer_family.jpg

    To the world, James Blood Ulmer was a legend, a visionary and a musical force whose sound was distinctive and unique. To his family, he was their teacher, their storyteller and a source of strength.

  • Davis_Miles_by_Jack_Vartoogian_lo_res_copy.jpg

    How best to mark Miles Davis’ centennial? By allowing the stories to flow, and cross-discussions to happen.

  • Aldana.jpg

    “I wanted to get into the real feeling,” Melissa Aldana says of studying the work of singers from Cuba’s filin tradition in preparation for her collaboration with pianist Gonzalo Rubalcaba.

  • promoFINALdress-1_copy.jpg

    “There was something about her tone and sound and phrasing — an intimacy, a vulnerability, an honesty,” says Joshua Redman, who produced Cavassa’s record after she toured with his band.