By Michele L. Simms-Burton | Published May 2020
Complex harmonies, tantalizing melodies and smooth ballads enrobe Amanda Gardier’s Flyover Country as she claims a space among rising saxophonists.
From the opening “Midwest Gothic” to the closing “Sea Day,” Gardier and her ensemble deliver ruminations on the bandleader’s Midwestern life, the troupe emulating the spaciousness of a
rural landscape.
But the rhythm-heavy “Buddy” somehow conjures up Elton John’s “Bennie And The Jets,” and Ellie Pruneau’s percussive and harmonically sophisticated piano solo elevates “40 Tattoos” from a good performance to an extraordinary one. Likewise, the saxophone-and-bass duet “Hidden” allows rhythmist Brendan Keller-Tuberg to emerge, adding colorful counterpoint. Drummer Carrington Clinton holds the band together, driving that beat when needed, and gently pulling back to deliver a soft touch when required.
As Gardier heads out on the road with her ensemble, it’s likely that her band also will prove to concertgoers that they’re the perfect accompanists.
Flyover Country: Midwestern Gothic; Boss Lady; Void; Buddy; 40 Tattoos; Hidden; Red-Headed Uncle; Flyover Country; Sea Day. (63:20)
Personnel: Amanda Gardier, alto saxophone, soprano saxophone; Carrington Clinton, drums; Ellie Pruneau, piano; Brendan Keller-Tuberg, bass.
