Trumpeter/vocalist Bria Skonberg is among the international artists who have performed at the North Carolina Jazz Festival in Wilmington.

Dee Alexander explores the more obscure songs of Billie Holiday on her latest Delmark release.

Trumpeter Jeremy Pelt (right) displays a deep canonical knowledge on The Art Of Intimacy, Vol. 1, a ballad-focused recording the bandleader made with pianist George Cables and bassist Peter Washington.

Saxophonists Samuel Blais (left), Donny McCaslin, David Binney and Dave Liebman make up the Four Visions Saxophone Quartet, a group that can trace its lineage back to jazz and the work of classical saxophonist Marcel Mule.

Harold Mabern (1936–2019)

Carla Thomas (left), Dee Dee Bridgewater, Steven Bernstein, Craig Handy and Natalie Cressman onstage at the WBGO gala on Nov. 6 in Manhattan

Aaron Weinstein’s new album is a trio project titled 3x3.

A staple of Chicago’s jazz scene, Junius Paul’s debut full-length, Ism, takes into consideration the city’s past musical triumphs while incorporating the bassist’s own passions.

Michael Wolff’s Bounce, which counts backing from drummer Allan Mednard and bassist Ben Allison, also features a vocal turn from the pianist’s son, Nat Wolff.

Whether riffing on his latest album, his dynastic jazz family, his formative experiences in Art Blakey’s Jazz Messengers, his teaching experiences, his interest in science or his love of sports, Branford Marsalis speaks his truth.