Mar 2, 2026 9:58 PM
In Memoriam: John Hammond Jr., 1942–2026
John P. Hammond (aka John Hammond Jr.), a blues guitarist and singer who was one of the first white American…
Maria Schneider is one of four 2019 NEA Jazz Masters.
(Photo: Jimmy & Dena Katz)
Abdullah Ibrahim is one of four 2019 NEA Jazz Masters.
(Photo: Marina Umari)
Bob Dorough is one of four 2019 NEA Jazz Masters.
(Photo: Garth Woods)
Stanley Crouch is one of four 2019 NEA Jazz Masters.
(Photo: Frank Stewart)Big band leader Maria Schneider, pianist Abdullah Ibrahim, writer Stanley Crouch and the late vocalist-pianist Bob Dorough have been named 2019 NEA Jazz Masters, the National Endowment for the Arts announced Wednesday.
Schneider—a Grammy winner who is revered for the compositions she writes for her namesake orchestra—recently took home awards in the DownBeat Critics Poll in the Big Band and Arranger categories. Ibrahim continues to perform in a variety of settings, with a handful of live gigs scheduled throughout 2018. Crouch is the recipient of the 2019 A.B. Spellman NEA Jazz Masters Fellowship for Jazz Advocacy. Dorough, who died April 23, was told about the recognition just before he passed away.
On April 15, the NEA will host a free concert celebrating the Jazz Masters at the John F. Kennedy Center for the Performing Arts in Washington, D.C.
Beginning in 1982, NEA has bestowed the Jazz Master honor on more than 150 people connected to the jazz genre, including Ella Fitzgerald, Miles Davis, Dianne Reeves and George Wein. Individuals first are nominated by the public, with an NEA-convened panel assessing the nominations before the National Council on the Arts reviews the recommendations and forwards them along to the NEA chairman, who makes the final decision.
“The National Endowment for the Arts is proud to celebrate jazz, an art form born in the United States that has since been embraced worldwide,” said Mary Anne Carter, NEA acting chairman. “These four new NEA Jazz Masters have been key players in jazz throughout their lives and careers, ensuring that the music will continue to grow and reach new audiences.”
To be notified about how to reserve tickets for the April 15 concert, email publicaffairs@arts.gov. The show will also stream online at arts.gov.
For more information on the artists, visit the NEA website. DB
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
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