Oct 28, 2025 10:47 AM
In Memoriam: Jack DeJohnette, 1942–2025
Jack DeJohnette, a bold and resourceful drummer and NEA Jazz Master who forged a unique vocabulary on the kit over his…
Bandleader, clarinetist, composer and arranger Artie Shaw has died at home in Los Angelesn on Friday. His health had declined since Thanksgiving. He was 94 years old.
Shaw was a leading swing-era figure and a top-flight clarinetist who demonstrated a great jazz facility when playing either uptempo numbers or ballads. Along with rival Benny Goodman, Shaw was known for racially integrating his bands in the 1940s, utilizing the talents of Billie Holiday and Roy Eldridge, among others.
Born May 23, 1910, in New York, Shaw grew up in New Haven, Conn., where he got his start playing in dance bands during the ‘20s. The latter part of the ‘20s saw him playing in Cleveland, Chicago and New York, acting as a music director, arranging, jamming and discovering the music of Debussy and Stravinsky. It was in New York that he started working as a freelance studio musician, and in 1936 formed his first band, made up of a string quartet, three rhythm and clarinet. They performed a hit concert, playing Shaw’s “Interlude In B Flat.” Adding a trombone, sax, singer and two trumpets, Shaw signed a record deal with Brunswick. In 1937, Shaw formed a more conventional swing band, with whom he recorded his first big hit, Cole Porter’s “Begin The Beguine,” in 1938.
The following year, after making his breakthrough, Shaw left the music scene and moved to Hollywood in 1940, where he worked for films and recorded his next big hit, “Frenesi” (1940, RCA Victor). Later touring with his Gramercy Five band, Shaw made his way back to New York, where he worked until he enlisted in the Navy (1942). After his discharge he formed his best jazz-oriented band, with Eldridge, which featured the hit “Little Jazz” (1945, RCA Victor). He continued to play with his Gramercy Five band after the war, and in 1954, went into retirement.
In 1996, Shaw was elected by the DownBeat Critics into the Down Beat Hall of Fame.
Jack DeJohnette boasted a musical resume that was as long as it was fearsome.
Oct 28, 2025 10:47 AM
Jack DeJohnette, a bold and resourceful drummer and NEA Jazz Master who forged a unique vocabulary on the kit over his…
Always a sharp dresser, Farnsworth wears a pocket square given to him by trumpeter Art Farmer. “You need to look good if you want to hang around me,” Farmer told him.
Sep 23, 2025 11:12 AM
When he was 12 years old, the hard-swinging veteran drummer Joe Farnsworth had a fateful encounter with his idol Max…
D’Angelo achieved commercial and critical success experimenting with a fusion of jazz, funk, soul, R&B and hip-hop.
Oct 14, 2025 1:47 PM
D’Angelo, a Grammy-winning R&B and neo-soul singer, guitarist and pianist who exerted a profound influence on 21st…
Kandace Springs channeled Shirley Horn’s deliberate phrasing and sublime self-accompaniment during her set at this year’s Pittsburgh International Jazz Festival.
Sep 30, 2025 12:28 PM
Janis Burley, the Pittsburgh International Jazz Festival’s founder and artistic director, did not, as might be…
Jim McNeely’s singular body of work had a profound and lasting influence on many of today’s top jazz composers in the U.S. and in Europe.
Oct 7, 2025 3:40 PM
Pianist Jim McNeely, one of the most distinguished large ensemble jazz composers of his generation, died Sept. 26 at…