Jun 3, 2025 11:25 AM
In Memoriam: Al Foster, 1943–2025
Al Foster, a drummer regarded for his fluency across the bebop, post-bop and funk/fusion lineages of jazz, died May 28…
Baritone Sax great Nick Brignola died at the Albany Medical Center in Albany, N.Y., on Feb. 8, after a long battle with cancer. He was 65.
A big-toned baritone saxophonist whose greatest baritone influence was Harry Carney of the Duke Ellington band (who became his mentor), Brignola carved out his niche as perhaps the premier player of the big horn in the hard-bop mainstream of the music.
Brignola was born July 17, 1936, in Troy, N.Y. He studied at Ithaca College and Berklee and worked in the upstate New York region in the ‘50s with Herb Pomeroy and Reese Markewich, moved to the West Coast to play with Cal Tjader and the Mastersounds, then with Woody Herman’s band in 1963, followed by a stint with Sal Salvador in 1963-‘64.
In 1964, he moved back to his home area of Troy, Albany and Schenectady and began working with his own groups, had his own radio show and lectured and performed in area colleges. Since his sideman work with Ted Curson in 1967, Brignola largely led his own combos, recording for his own Priam label, then Beehive, Interplay, Sea Breeze, Discovery and, over more than the last decade, for Reservoir.
Foster was truly a drummer to the stars, including Miles Davis, Sonny Rollins and Joe Henderson.
Jun 3, 2025 11:25 AM
Al Foster, a drummer regarded for his fluency across the bebop, post-bop and funk/fusion lineages of jazz, died May 28…
Roscoe Mitchell will receive a Lifetime Achievement award at this year’s Vision Festival.
May 27, 2025 6:21 PM
Arts for Art has announced the full lineup for the 2025 Vision Festival, which will run June 2–7 at Roulette…
Benny Benack III and his quartet took the Midwest Jazz Collective’s route for a test run this spring.
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The time and labor required to tour is, for many musicians, daunting at best and prohibitive at worst. It’s hardly…
To record Dream Manifest (Dom Recs), Croker convened artists from his current and recent past ensembles, plus special guests.
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Partway through his early set at Smoke Jazz Club, Theo Croker blinks the room back into focus. He leans over the piano.…
“There’s nothing quite like it,” Springs says of working with an orchestra. “It’s 60 people working in harmony in the moment. Singing with them is kind of empowering but also humbling at the same time.”
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When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…
