Béla Fleck and the Flecktones Return After Break

  I  

After a year-long break, Béla Fleck and the Flecktones have returned, and will release The Hidden Land (Columbia) on Jan. 31.

The stripped down album was recorded entirely at Fleck’s home in Nashville and he called its title a nod to music that exists for its own sake rather than transient or commercial instincts. “There is a hidden land out there, a territory where people push boundaries of music,” said Fleck. “In some ways we live under the radar, but at the same time we have had some amazingly large numbers of people interested in what we are doing, this album reflects that—it’s an uncompromising album. It’s serious Flecktones.”

Known for playing over 200 dates a year, the group began sessions for The Hidden Land with a statement of core principles. “We used to have a rule that everything we did had to be possible to do live with just the three of us, no additional parts laid down in the studio. We haven’t worked in that way since 1993, but it was the concept for these sessions,” said Fleck.

The songs on the album were written by the quartet with the exception of a cover of J.S. Bach’s “Bach Fugue.” Other notable highlights include “Kaleiloscope,” “P’lod,” “Who’s Got Three,” “Labyrinth” and “Chennai.”



  • Ted_Nash_Alexa_Tarantino_by_Gilberto_Tadday_copy.jpg

    As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.

  • Coltrane_John_008_copy_2.jpg

    “This is one of the great gifts that Coltrane gave us — he gave us a key to the cosmos in this recording,” says John McLaughlin.

  • 2tx3p_BNJF2025LineupApr11080x1350--1_copy.jpg

    The Blue Note Jazz Festival New York kicks off May 27 with a James Moody 100th Birthday Celebration at Sony Hall.

  • Ethan_Iverson_by_David_Moressi_2024_copy.jpg

    “I’m certainly influenced by Geri Allen,” said Iverson, during a live Blindfold Test at the 31st Umbria Jazz Winter festival.

  • Isaiah_Collier_by_Michael_Jackson_2025.jpg

    “At the end of the day, once you’ve run out of differences, we’re left with similarities,” Collier says. “Cultural differences are mitigated through 12 notes.”


On Sale Now
May 2025
Branford Marsalis
Look Inside
Subscribe
Print | Digital | iPad