Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Unraveling The mystique and influence of one of the most innovative musicians of the last century, Charlie Christian: The Genius Of The Electric Guitar (Columbia/Legacy) sheds a floodlight—musically and biographically—on the guitarist’s incandescent career, which ended at age 25. Gathered for the first time on a four-CD boxed set, the first comprehensive collection of Columbia recordings that Charlie Christian made while a member of Benny Goodman’s Sextet and Orchestra from 1939 to 1941 (with one side trip on the Metronome All Star Nine), will arrive in stores Sept. 24.
Beginning on his first Columbia recording date with producer John Hammond and the Benny Goodman Sextet in October 1939—which yielded “Flying Home,” “Rose Room” and “Star Dust”—the Texas-born, Oklahoma-raised Christian lays the groundwork that earned him a title usually reserved for Albert Einstein and Ray Charles. Genius tracks Christian’s 14 extant Columbia studio dates spanning 17 months through March 1941 (one year before his death), when he recorded “Solo Flight” with the orchestra, the signature by which the famed Gibson ES150 guitarist would be known. The first Goodman feature actually built around Christian, “Solo Flight” found him in transition to the nascent bebop movement, upon which fellow conspirator Thelonious Monk and others considered him a primal force.
Lavishly packaged in a boxed set designed to simulate the appearance of a vintage Gibson amplifier (the classic Amelia Earhart “Tweed” luggage finish), Genius is a major commemoration of Christian. The four discs present some 40 songs over the course of 98 tracks—17 of which have never before surfaced anywhere in the world, 27 of which have never before been issued in the United States.
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
“These days, with curated news, where people only get half the story, people can’t even speak to family members anymore,” Schneider laments.
Mar 10, 2026 1:43 PM
Maria Schneider is doing her part to try to fix what ails America. Which got her thinking about crows, specifically,…
Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
Mar 30, 2026 10:20 PM
Every April for the past quarter century, something remarkable has happened across the United States and far beyond.…
Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
Apr 7, 2026 1:21 PM
There’s pluralism, then there’s PLURALISM! — and then there’s Big Ears. Thurston Moore, who participated in…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
Apr 21, 2026 10:00 AM
Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…
