Feb 3, 2026 12:10 AM
In Memoriam: Ken Peplowski, 1959–2026
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Alto saxophonist Jackie McLean, a quintessential hard bop saxophonist who was a living connection to the greatest legends of the music, died Friday. He was 73. McLean died at his Hartford home after a long illness. He was 73.
McLean was founder and artistic director of the Jackie McLean Institute of Jazz at the University of Hartford’s Hartt School. He and his wife, actress Dollie McLean, also founded the Artists Collective, a community center and fine arts school in Hartford’s inner city primarily serving troubled youth. McLean was one of the few veterans who encouraged the new ideas of the free-jazz movement that followed.
McLean was born on May 17, 1932, in New York. He began playing the saxophone when he was 15 and shortly afterwards played with Sonny Rollins (1948-‘49). During the next 10 years, he worked with Miles Davis, Paul Bley and Charles Mingus, and was also a member of Art Blakey’s Jazz Messengers before forming his own quintet in 1958. On such records as 4,5, And 6 and Swing Swang Swingin’, McLean displayed a heavy Charlie Parker influence, but maintained his own approach to rhythm and feeling for the blues. He also wrote the standards “Dig” and “Hip Strut” and acted in the play The Connection from 1959 to 1961. While he received inspiration from the innovators of the late ‘50s and early ‘60s, McLean released New Soil, One Step Beyond, Destination…Out! and New And Old Gospel. These records featured his own increasingly complex writing and Gospel included Ornette Coleman on trumpet. In 1968, McLean began teaching at the University of Hartford in Connecticut.
Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.
Feb 3, 2026 12:10 AM
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
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John P. Hammond (aka John Hammond Jr.), a blues guitarist and singer who was one of the first white American…
Richie Beirach was particularly renowned for his approach to chromatic harmony, which he used to improvise reharmonizations of originals and standards.
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“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”
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Midway through August, a few days after concluding a week at the Village Vanguard with the quartet that Andrew Cyrille…
Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.
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For the better part of a year, rumors have been swirling that Wynton Marsalis was going to step down as artistic and…
