Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Jimmy Smith, who took the organ from novelty status in jazz to primary instrument status, having learned to develop bass lines with his feet, chordal accompaniment and solo lines with his right hand, died Tuesday at his home in Scottsdale, Ariz., of natural causes. He was 79.
Born in Norristown, Pa., on Dec. 8, 1925, Smith started out on piano at an early age, taught by his parents as well as self-taught. In 1948, he attended the Hamilton School of Music, and he attended the Ornstein School of Music from 1948-‘50. In 1951, Smith began playing the Hammond organ, subsequently developing a reputation in the Philadelphia area. The year 1956 was a milestone: He was a smash in his debut at New York’s Cafe Bohemia. This was followed by successful appearances at Birdland and the 1957 Newport Jazz Festival, setting the stage for international acclaim as the first jazz organ star of note.
The past 40-plus years, Smith has toured internationally and recorded with many of jazz’s biggest names in a variety of contexts, from trios and quartets on up to large ensembles. Collaborating artists have included Wes Montgomery, Oliver Nelson and Kenny Burrell. When Smith moved Los Angeles, he and his wife, Lola, opened a jazz club, Jimmy Smith’s Jazz Supper Club
Smith’s aggressive style of organ playing is a unique blend of bop with r&b. Recordings include: Off The Top (Elektra, 1982), The Dynamic Duo (with Wes Montgomery, Verve, 1966), The Cat (Verve, 1964), The Unpredictable Jimmy Smith: Bashin’ (Verve, 1962), Midnight Special (Blue Note, 1960) and The Sermon (Blue Note, 1957). DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
“If you don’t keep learning, your mind slows down,” Coleman says. “Use it or lose it.”
Jan 28, 2025 11:38 AM
PolyTropos/Of Many Turns — the title for Steve Coleman’s latest recording on Pi and his 33rd album overall —…
