Monterey Jazz Festival Receives Grants For Restoration Project

  I  

The Monterey Jazz Festival has received more than $350,000 in grants to preserve its archival recordings of historic performances from numerous music legends.

Ever since Dizzy Gillespie performed “The Star Spangled Banner” at the festival’s first night in 1958, other performances have included the 1960 debut of Jon Hendrick’s “Evolution Of The Blues” and Duke Ellington’s “Suite Thursday.” Coleman Hawkins, Ben Webster, Thelonious Monk also appeared at the Monterey event. Recordings captured these performances and have been archived at Stanford University since 1985.

Since the recordings have been deteriorating, different foundations have stepped in to preserve these documents so they will be available to the public. These donations include $225,000 from the Federal Save America’s Treasures Fund, $93,393 from the National Historical Publications and Records Commission and $40,000 from the Grammy Foundation.

For more information go to: montereyjazzfestival.org



  • Sonny_Rollins_by_Michael_Jackson_copy.jpg

    Onstage, Rollins would move about restlessly, thrusting his tenor sax in the air as he blew.

    Sonny Rollins Passes Away at 95

    Sonny Rollins, the iconic saxophonist, composer and improviser whose career stretched from the origins of bebop to 21st…

  • Courtesy_of_the_Ulmer_family.jpg

    To the world, James Blood Ulmer was a legend, a visionary and a musical force whose sound was distinctive and unique. To his family, he was their teacher, their storyteller and a source of strength.

  • Davis_Miles_by_Jack_Vartoogian_lo_res_copy.jpg

    How best to mark Miles Davis’ centennial? By allowing the stories to flow, and cross-discussions to happen.

  • Aldana.jpg

    “I wanted to get into the real feeling,” Melissa Aldana says of studying the work of singers from Cuba’s filin tradition in preparation for her collaboration with pianist Gonzalo Rubalcaba.

  • promoFINALdress-1_copy.jpg

    “There was something about her tone and sound and phrasing — an intimacy, a vulnerability, an honesty,” says Joshua Redman, who produced Cavassa’s record after she toured with his band.