Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Carlos Valdéz, the melodic percussionist who played with the likes of Herbie Mann, died Tuesday of respiratory failure in New York. He was 81.
Born in La Habana, Cuba, Nov. 4, 1926, Valdéz fashioned himself as a chef and was known for feeding dozens of fellow musicians and close friends in his Brooklyn home after gigs. He helped develop the tuneable congas and showed Bridgette Bardot how to dance the mambo in the closing moments of the 1956 film And God Created Woman.
In Cuba, Patato played with bands starting out as a teenager in the 1940s, he created the “penguin dance” while with the Conjunto Casino in the ‘50s. When Valdéz appeared on a daily Cuban television show, he would jump on top of the congas and do a penguin dance.
In 1955 his friends Cándido Camero and Mongo Santamaría sponsored his immigration to New York. Santamaría, who was with the Tito Puente band at the time, got some of his bandmates and others to go to the SMC/Coda studios and record two 78 rpms as a demo to demonstrate the skills of Patato. Those records led to his work with Kenny Dorham on the Afro-Cuban date for Blue Note, from there he went on to play with Herbie Mann for many years.
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
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Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
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Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
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Every April for the past quarter century, something remarkable has happened across the United States and far beyond.…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
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Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…
