Photo Highlights of the 2016 DC Jazz Festival

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Steve Coleman (left) and Jonathan Finlayson perform at the historic Sixth & I Synagogue in Washington, D.C., as part of the DC Jazz Festival on June 14.

(Photo: Michael Wilderman)

The 2016 DC Jazz Festival climaxed with a rousing set by tenor saxophonist Kamasi Washington on June 19, a fitting culmination to more than two weeks of numerous performances at venues all around the District.

Coordinated by Executive Director Sunny Sumter and Artistic Director Willard Jenkins, the festival included concerts at The Hamilton Live (featuring violinist Regina Carter, vocalist Kurt Elling, saxophonist Maceo Parker and pianist Harold Mabern), the CapitalBop Loft (with pianists Michele Rosewoman and Orrin Evans), the Kennedy Center (featuring an all-star salute to Howard University Jazz), the Sixth & I Historic Synagogue (with Steve Coleman & Five Elements), and the extensive Jazz In The Hoods presentations.

More than 90 bands and 300 emerging and veteran artists performed during the fest. One unique event was the DC Alley Museum Live Mural Project by artist Bill Warrell, in which visitors young and old were invited to pick up a paintbrush and add to a montage of the Art Ensemble of Chicago, commemorating the group’s 1982 Washington, D.C. concert.

That mural—as well as many other moments from throughout the fest—is captured in the photo album below, which was constructed by photographer and D.C. resident Michael Wilderman.



  • Quincy_Jones_by_artstreiber.com1.jpg

    Quincy Jones’ gifts transcended jazz, but jazz was his first love.

  • Roy_Haynes_by_Michael_Jackson_2012.jpg

    “I treat every day like it’s Thanksgiving,” said Roy Haynes.

  • John_McLaughlin_by_Mark_Sheldon.jpg

    John McLaughlin likened his love for the guitar to the emotion he expressed 71 years ago upon receiving his first one. “It’s the same to this day,” he said.

  • Lou_Donaldson_by_Michael_Jackson_2015.jpg

    Lou Donaldson was one of the originators of the hard bop movement in jazz back in the 1950s.

  • Zakir_Hussain_2011_Symphony_Center_copy.jpg

    “Watching people like Max Roach or Elvin Jones and seeing how they utilize the whole drum kit in a very rhythmic and melodic way and how they stretched time — that was a huge inspiration to me,” Hussain said in DownBeat.


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