Mar 4, 2025 1:29 PM
Changing of the Guard at Lincoln Center Jazz Orchestra
On October 23, Ted Nash – having toured the world playing alto, soprano and tenor saxophone, clarinet and bass…
Steve Coleman (left) and Jonathan Finlayson perform at the historic Sixth & I Synagogue in Washington, D.C., as part of the DC Jazz Festival on June 14.
(Photo: Michael Wilderman)The 2016 DC Jazz Festival climaxed with a rousing set by tenor saxophonist Kamasi Washington on June 19, a fitting culmination to more than two weeks of numerous performances at venues all around the District.
Coordinated by Executive Director Sunny Sumter and Artistic Director Willard Jenkins, the festival included concerts at The Hamilton Live (featuring violinist Regina Carter, vocalist Kurt Elling, saxophonist Maceo Parker and pianist Harold Mabern), the CapitalBop Loft (with pianists Michele Rosewoman and Orrin Evans), the Kennedy Center (featuring an all-star salute to Howard University Jazz), the Sixth & I Historic Synagogue (with Steve Coleman & Five Elements), and the extensive Jazz In The Hoods presentations.
More than 90 bands and 300 emerging and veteran artists performed during the fest. One unique event was the DC Alley Museum Live Mural Project by artist Bill Warrell, in which visitors young and old were invited to pick up a paintbrush and add to a montage of the Art Ensemble of Chicago, commemorating the group’s 1982 Washington, D.C. concert.
That mural—as well as many other moments from throughout the fest—is captured in the photo album below, which was constructed by photographer and D.C. resident Michael Wilderman.
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
On October 23, Ted Nash – having toured the world playing alto, soprano and tenor saxophone, clarinet and bass…
Larry Appelbaum with Wayne Shorter in 2012.
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“This is one of the great gifts that Coltrane gave us — he gave us a key to the cosmos in this recording,” says John McLaughlin.
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In his original liner notes to A Love Supreme, John Coltrane wrote: “Yes, it is true — ‘seek and ye shall…
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“You’ve got to trust that inner child, keep exploring, even though people think it’s wrong,” says Fortner.
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Every week at the Village Vanguard fosters its own sound. No one really knows how the music might evolve by Sunday, but…
