Photo Highlights of the 2016 DC Jazz Festival

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Steve Coleman (left) and Jonathan Finlayson perform at the historic Sixth & I Synagogue in Washington, D.C., as part of the DC Jazz Festival on June 14.

(Photo: Michael Wilderman)

The 2016 DC Jazz Festival climaxed with a rousing set by tenor saxophonist Kamasi Washington on June 19, a fitting culmination to more than two weeks of numerous performances at venues all around the District.

Coordinated by Executive Director Sunny Sumter and Artistic Director Willard Jenkins, the festival included concerts at The Hamilton Live (featuring violinist Regina Carter, vocalist Kurt Elling, saxophonist Maceo Parker and pianist Harold Mabern), the CapitalBop Loft (with pianists Michele Rosewoman and Orrin Evans), the Kennedy Center (featuring an all-star salute to Howard University Jazz), the Sixth & I Historic Synagogue (with Steve Coleman & Five Elements), and the extensive Jazz In The Hoods presentations.

More than 90 bands and 300 emerging and veteran artists performed during the fest. One unique event was the DC Alley Museum Live Mural Project by artist Bill Warrell, in which visitors young and old were invited to pick up a paintbrush and add to a montage of the Art Ensemble of Chicago, commemorating the group’s 1982 Washington, D.C. concert.

That mural—as well as many other moments from throughout the fest—is captured in the photo album below, which was constructed by photographer and D.C. resident Michael Wilderman.



  • Coltrane_John_008_copy_2.jpg

    “This is one of the great gifts that Coltrane gave us — he gave us a key to the cosmos in this recording,” says John McLaughlin.

  • 2tx3p_BNJF2025LineupApr11080x1350--1_copy.jpg

    The Blue Note Jazz Festival New York kicks off May 27 with a James Moody 100th Birthday Celebration at Sony Hall.

  • Ethan_Iverson_by_David_Moressi_2024_copy.jpg

    “I’m certainly influenced by Geri Allen,” said Iverson, during a live Blindfold Test at the 31st Umbria Jazz Winter festival.

  • Isaiah_Collier_by_Michael_Jackson_2025.jpg

    “At the end of the day, once you’ve run out of differences, we’re left with similarities,” Collier says. “Cultural differences are mitigated through 12 notes.”

  • Andy_Bey_NYC_2014_by_Steven_Sussman_copy.jpg

    “It kind of slows down, but it’s still kind of productive in a way, because you have something that you can be inspired by,” Andy Bey said on a 2019 episode of NPR Jazz Night in America, when he was 80. “The music is always inspiring.”

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