Photo Highlights of the 2016 New Orleans Jazz & Heritage Fest

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Christian Scott aTunde Adjuah at the New Orleans Jazz & Heritage Festival on April 22.

(Photo: Adam McCullough)

Traditionally taking place over two weekends in late April and early May, the New Orleans Jazz & Heritage Festival is an occasion for music lovers from around the world to gather in the birthplace of jazz and celebrate the art form’s rich past and promising future.

During the first weekend of this year’s edition, the festival lineup featured an exceptionally broad range of artists and groups. Zydeco artists and brass bands shared the stage with blues guitarists and Latin ensembles, and jazz fixtures like Brian Blade, Herbie Hancock and Wayne Shorter rubbed shoulders with pop acts like The Red Hot Chili Peppers, J. Cole and Nick Jonas.

In the slideshow below, DownBeat presents a selection of photos from the festival’s rousing first half, captured in striking detail by photographer Adam McCullough. We’ll have even more photos and a critical recap later this week.

—Brian Zimmerman



  • Flea_by_Gus_Van_Sant_copy.jpg

    “Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”

  • 2026_Cecil_McLorin_Salvant_Sullivan_Fortner_Big_Ears.jpg

    Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.

  • JAM_posters_-_a_selection_cropped.jpg

    Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.

  • NikBaertschs_RONIN_by_Christian_Senti.jpg

    “We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”

  • Stefano_Bollani_by_David_Morresi%3AUmbria_Jazz_copy.jpg

    Bollani demonstrates at the piano during a live Blindfold Test in Umbria, Italy, while writer Ashley Kahn, right, and translator Greg Burk look on.