Feb 3, 2026 12:10 AM
In Memoriam: Ken Peplowski, 1959–2026
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Edu Ribeiro (left), Reuben Rogers, Helio Alves and Romero Lubambo collaborate for AT PLAY.
(Photo: Courtesy of Artists)The legacy of recorded music in Brazil—jazz and otherwise—is such a monumental contribution to the world that attempting to encompass all the ideas it’s expressed on a single disc is just about impossible.
That didn’t stop guitarist Romero Lubambo, pianist Helio Alves, bassist Reuben Rogers and drummer Edu Ribeiro from giving it a shot on AT PLAY, the ensemble’s nine-song collaboration that mixes originals and covers by folks like Caetano Veloso and Dori Caymmi.
“Pro Romero”—the tune below, which is part of the disc, which was released Aug. 14 on the Broken Symmetries imprint—comes from pianist Debora Gurgel’s book.
“Debora is a fantastic piano player and composer from São Paulo. I’ve known her music for a long time, but was very pleasantly surprised when she told me that she wrote a song for me,” Lubambo said in an email to DownBeat. “We had an opportunity to get together in São Paulo, and she showed me the song and we played it together. ... She perfectly combined Brazilian music, jazz and classical music in one song.”
That combination has poured out of the country for decades and given the world everything from Bossa Nova explorations to the more recent Brazil-related releases on the Jazz Is Dead label. DB
Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.
Feb 3, 2026 12:10 AM
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
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“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”
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Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.
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Lettuce, from left: Eric Coomes, Adam Deitch, Ryan Zoidis, Eric Bloom, Adam Smirnoff and Nigel Hall
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They were Berklee misfits. Neither jazzy enough for the straightahead crowd at Boston’s highly prestigious College of…
