Feb 3, 2026 12:10 AM
In Memoriam: Ken Peplowski, 1959–2026
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Veronica Swift is among the 25 artists DownBeat thinks will help shape jazz in the decades to come.
(Photo: Bill Westmoreland )Singer Veronica Swift returned home from a gig in Italy just in time to celebrate the birthday of her mother, acclaimed jazz singer and educator Stephanie Nakasian.
On Aug. 28 Swift, billed as one of “The Three Divas,” had played a sold-out, socially distanced concert in the Boboli Gardens at the Palazzo Vecchio in Florence, Italy, as part of the Uffizi Galleries’ New Generation Festival. Nakasian’s birthday party was held two evenings later at the family farm in Charlottesville, Virginia.
“I’m having an emotional crash after one of the most amazing weeks of my life,” Swift told DownBeat by phone the day of the celebration. The concert was just the kind of spectacle that Swift likes: an eclectic amalgam of opera, jazz, big band, tap dancing and musical theater.
If she was having a tough time coming down from a performance high, though, her phone demeanor belied it. During the interview, she spoke confidently about her album, This Bitter Earth, her second Mack Avenue release, and mused about the new challenges and opportunities that young singers are taking on today. From her poise in discussing these issues, it’s clear that global success rests easily on Swift’s shoulders.
Swift’s star rose surprisingly fast. She first stepped into public awareness with her second-place finish (behind Jazzmeia Horn) in the 2015 Thelonious Monk Institute of Jazz International Vocals Competition. The following year, she would graduate from the Frost School of Music at the University of Miami. Relentless gigging followed—in the world’s best jazz clubs, at prestigious jazz festivals, with celebrity-led ensembles. She signed with Mack Avenue and the label released her 2019 album, Confessions, which dazzled audiences and critics alike. All this by the age of 25.
Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.
Feb 3, 2026 12:10 AM
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
Mar 2, 2026 9:58 PM
John P. Hammond (aka John Hammond Jr.), a blues guitarist and singer who was one of the first white American…
“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”
Feb 3, 2026 12:15 AM
Midway through August, a few days after concluding a week at the Village Vanguard with the quartet that Andrew Cyrille…
Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.
Feb 3, 2026 12:09 AM
For the better part of a year, rumors have been swirling that Wynton Marsalis was going to step down as artistic and…
Lettuce, from left: Eric Coomes, Adam Deitch, Ryan Zoidis, Eric Bloom, Adam Smirnoff and Nigel Hall
Feb 17, 2026 11:05 AM
They were Berklee misfits. Neither jazzy enough for the straightahead crowd at Boston’s highly prestigious College of…
