Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Veronica Swift is among the 25 artists DownBeat thinks will help shape jazz in the decades to come.
(Photo: Bill Westmoreland )Singer Veronica Swift returned home from a gig in Italy just in time to celebrate the birthday of her mother, acclaimed jazz singer and educator Stephanie Nakasian.
On Aug. 28 Swift, billed as one of “The Three Divas,” had played a sold-out, socially distanced concert in the Boboli Gardens at the Palazzo Vecchio in Florence, Italy, as part of the Uffizi Galleries’ New Generation Festival. Nakasian’s birthday party was held two evenings later at the family farm in Charlottesville, Virginia.
“I’m having an emotional crash after one of the most amazing weeks of my life,” Swift told DownBeat by phone the day of the celebration. The concert was just the kind of spectacle that Swift likes: an eclectic amalgam of opera, jazz, big band, tap dancing and musical theater.
If she was having a tough time coming down from a performance high, though, her phone demeanor belied it. During the interview, she spoke confidently about her album, This Bitter Earth, her second Mack Avenue release, and mused about the new challenges and opportunities that young singers are taking on today. From her poise in discussing these issues, it’s clear that global success rests easily on Swift’s shoulders.
Swift’s star rose surprisingly fast. She first stepped into public awareness with her second-place finish (behind Jazzmeia Horn) in the 2015 Thelonious Monk Institute of Jazz International Vocals Competition. The following year, she would graduate from the Frost School of Music at the University of Miami. Relentless gigging followed—in the world’s best jazz clubs, at prestigious jazz festivals, with celebrity-led ensembles. She signed with Mack Avenue and the label released her 2019 album, Confessions, which dazzled audiences and critics alike. All this by the age of 25.
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
