“I knew that I would be playing music, and that it would be part of my identity, the way that it’s part of my dad’s identity,” Gerald Clayton (right) said of his upbringing with his father, John.

“Songwriting is intuitive for me,” Eugenie Jones said.

“I came to terms with my influences — accepting that I love this or that player, but being comfortable in my own skin, recognizing that I have an identity,” Michael Weiss said.

BMI’s Senior Director of Jazz and Musical Theatre Patrick Cook (left) with Musical Director Andy Farber, prize winner Helen Sung and Assistant Musical Director Alan Ferber at the 33rd Annual BMI Jazz Composers Workshop Summer Showcase, held June 13 at Dizzy’s in New York.

Ernesto Cervini’s upcoming album Joy is based on author Louise Penn’s “Gamache” series of mystery books.

​“The power of unison is super,” Turner said. “It’s 10,000 years old, or more.”

Black Lives—From Generation To Generation makes a multi-generational plea for equity and equality with artists like Alicia Hall Moran, left, and E.J. Strickland.

The guitar quartet Dither commanded attention with their tight-yet-flexible teamwork at this year’s FIMAV.

“I know that tensions are high and emotions are intense right now, but the beauty of music is beyond words,” Arriale said.

​Benevento calls the outcome of his deep walk through polyrhythmic grooves, electrifying self-jams, West Africa-derived dance music, songs based on poetry and short lyrical ditties his “small batch psychedelia.”