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    “[That’s] the thing of the beboppers,” Bradford said. “These guys were important for not only playing that wonderful music, but they knew a sort of social stance, you see?”

    Bobby Bradford: Phoenix Rising

    It was a calm, balmy, near-perfect evening in Westwood, California, not far from UCLA, in the expansive courtyard at…

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    Pat Metheny will perform with his Side-Eye III ensemble at ​Big Ears 2026 in Knoxville, Tennessee, next March.

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    Trio aRT with its avalanche of instrumentation: from left, Pheeroan akLaff, Scott Robinson and Julian Thayer.

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    Don and Maureen Sickler serve as the keepers of engineer Rudy Van Gelder’s flame at Van Gelder Studio, perhaps the most famous recording studio in jazz history.

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    “It’s energetic,” says Brittany Davis of feeling the spirits of the ancestors. “It’s interpretive. It’s a dance of sound and vibration. It’s a memory, it’s a wash. It’s washing over you.”

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    Mark Masters, right, with Billy Harper.

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    “What I got from Percy was the dignity of playing the bass,” Buster Williams said of Percy Heath.

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    “I’m not getting any younger, and in my later years I want to make sure my own visions can be realized,” says pianist George Colligan.

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    ​The Free Slave, Cosmos Nucleus and Sunset To Dawn: three classic Muse albums being reissued this fall by Timer Traveler Recordings.

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    ​This year’s Jazz em Agosto set by the Darius Jones Trio captured the titular alto saxophonist at his most ferocious.

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