3 Smokin’ Offerings from Verve

  I  
Image
(Photo: Courtesy Verve )

Verve/UMe’s Acoustic Sounds Series continues to deliver with a trio of great new albums and plenty more to come.

In February, the label reissued the Oscar Peterson Trio’s Night Train, a romp through the American Songbook from the title track to “I Got It Bad And That Ain’t Good.” It also presents Peterson’s “Hymn To Freedom,” which celebrates its 60th anniversary this year. Add Ray Brown on bass and Ed Thigpen on drums and you’ve got pure magic.

In March, the label released the grooving Alice Coltrane album Journey In Satchidananda, featuring saxophonist Pharoah Sanders. First released in 1971, the music sounds as fresh as today.

And, in April, the label unleashes Wes Montgomery and the Wynton Kelly Trio’s 1965 live recording Smokin’ At The Half Note, a blistering affair released, in part, to celebrate the centennial of Montgomery’s birth on March 6. All releases in the series have been mastered in stereo from the original analog tapes and pressed on 180-gram vinyl. DB

(shop.ververecords.com)



  • Cassandra_Wilson_%40_2026_Mark_Sheldon-2_copy_2.jpg

    Wilson’s ability to connect to audiences helped her to win two Grammy awards and multiple other accolades. She was named an NEA Jazz Master in 2022.

  • Pritesh_Walia_courtesy_Pritesh_Walia.jpg

    “The love from the jazz and music community restored my faith in humanity,” Walia wrote in an online post upon his release from detention at an ICE facility.

  • GB_Headshot_copy.jpg

    Bertoncini was a specialist and advocate for the nylon-string acoustic guitar, turning down high-profile opportunities that were unsuited to the sound and techniques that he used with that instrument.

  • DB26_Joshua_Redman_Courtesy_Joshua_Redman.jpg

    A solo concert by saxophonist Joshua Redman will close the first night of the Hyde Park Jazz Festival on Sept. 26.

  • Coltrane_John_by_Joe_Alper_copy.jpeg

    “It was just that suddenly … I could hear it,” Ravi Coltrane said of an epiphany he experienced during his late teens regarding his father’s music. “And it was almost like a calling, like something saying, ‘Hey, man, come on. It’s time to get serious.’ And the first time you really tune in and dial in and focus like that, it can be very life-changing.”