Oct 28, 2025 10:47 AM
In Memoriam: Jack DeJohnette, 1942–2025
Jack DeJohnette, a bold and resourceful drummer and NEA Jazz Master who forged a unique vocabulary on the kit over his…
David “Fathead” Newman, who invented the image of a rough, bluesy Texas tenor player in jazz, died Jan. 20 near his home in Upstate New York following a long battle with cancer. He was 75.
Newman was born in Dallas on Feb. 24, 1933. In his teens he backed saxophonist Red Connors alongside Ornette Coleman. Shortly afterwards he worked in Lowell Fulson and T-Bone Walker’s barnstorming r&b bands. When Walker’s pianist, Ray Charles, left the group, he hired Newman on baritone in 1954. Newman returned to tenor and backed Brother Ray for the next 10 years—creading driving solos on the band’s classic Atlantic recordings. Other r&b stars in the Atlantic roster (notably Aretha Franklin and Dr. John) also relied on Newman’s hearty tone. During the ‘60s and ‘70s, Newman also worked with King Curtis, Herbie Mann and Blue Mitchell. His own Atlantic albums at this time were often comprised of straightforward versions of pop hits. Throughout the years, Newman also played in crowd-pleasing duos with Hank Crawford and Stanley Turrentine. One of Newman’s best traditional jazz performances was his understated role on Junior Mance’s Truckin’ And Trackin’ session in 1983 (Bee Hive). Other dimensions to his work include his sensitive interpretations of Ellington on Mr. Gentle Mr. Cool (Kokopelli).
Recommended recordings: House Of David (Rhino); Still Hard Times (Muse). —Aaron Cohen
Jack DeJohnette boasted a musical resume that was as long as it was fearsome.
Oct 28, 2025 10:47 AM
Jack DeJohnette, a bold and resourceful drummer and NEA Jazz Master who forged a unique vocabulary on the kit over his…
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