May 26, 2026 11:08 AM
Sonny Rollins Passes Away at 95
Sonny Rollins, the iconic saxophonist, composer and improviser whose career stretched from the origins of bebop to 21st…
David “Fathead” Newman, who invented the image of a rough, bluesy Texas tenor player in jazz, died Jan. 20 near his home in Upstate New York following a long battle with cancer. He was 75.
Newman was born in Dallas on Feb. 24, 1933. In his teens he backed saxophonist Red Connors alongside Ornette Coleman. Shortly afterwards he worked in Lowell Fulson and T-Bone Walker’s barnstorming r&b bands. When Walker’s pianist, Ray Charles, left the group, he hired Newman on baritone in 1954. Newman returned to tenor and backed Brother Ray for the next 10 years—creading driving solos on the band’s classic Atlantic recordings. Other r&b stars in the Atlantic roster (notably Aretha Franklin and Dr. John) also relied on Newman’s hearty tone. During the ‘60s and ‘70s, Newman also worked with King Curtis, Herbie Mann and Blue Mitchell. His own Atlantic albums at this time were often comprised of straightforward versions of pop hits. Throughout the years, Newman also played in crowd-pleasing duos with Hank Crawford and Stanley Turrentine. One of Newman’s best traditional jazz performances was his understated role on Junior Mance’s Truckin’ And Trackin’ session in 1983 (Bee Hive). Other dimensions to his work include his sensitive interpretations of Ellington on Mr. Gentle Mr. Cool (Kokopelli).
Recommended recordings: House Of David (Rhino); Still Hard Times (Muse). —Aaron Cohen
Onstage, Rollins would move about restlessly, thrusting his tenor sax in the air as he blew.
May 26, 2026 11:08 AM
Sonny Rollins, the iconic saxophonist, composer and improviser whose career stretched from the origins of bebop to 21st…
To the world, James Blood Ulmer was a legend, a visionary and a musical force whose sound was distinctive and unique. To his family, he was their teacher, their storyteller and a source of strength.
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How best to mark Miles Davis’ centennial? By allowing the stories to flow, and cross-discussions to happen.
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“I wanted to get into the real feeling,” Melissa Aldana says of studying the work of singers from Cuba’s filin tradition in preparation for her collaboration with pianist Gonzalo Rubalcaba.
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Ibrahim was an early jazz acolyte, studying the music via 78s he would buy from soldiers stationed in South Africa — who also gave him the nickname “Dollar.”
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