Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Linda May Han Oh released the album Walk Against Wind on Biophilia Records on April 14.
(Photo: Shervin Lainez)You switched from double bass to bass guitar during your set. What prompted you to do that?
It’s just an added element. I’ve been playing a lot more electric these days—mainly for myself, though I play a little bit in Pat [Metheny]’s band, too. It’s just a different sound, a different texture. I still want it to sound like me.
I do think in terms of colors with a lot of these compositions. So much of it is just setting the scene. But within the set, it’s still all us—even if Fabian is doing his electronic thing.
You’ve also added wordless singing to your arsenal. Has it been difficult to vocalize and play simultaneously, or did that come naturally?
I definitely practice it, and I always say to my students that they should practice it, too. It’s a very important component and a useful tool when you’re practicing certain polyrhythmic and even bi-tonal things. It’s great for your ears.
I’ve heard that it can be particularly difficult for bass players to sing and play.
You’re thinking about intonation of the bass—well, the upright bass—as well as the intonation of your voice. But it’s great to do, and a lot of musicians I know do practice it, whether or not they choose to incorporate it.
Finally, do you approach soloing differently on bass guitar?
There are definitely some technical things that are different on electric and upright, but I still want to sound like me. That’s the ultimate goal. DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
