Jun 3, 2025 11:25 AM
In Memoriam: Al Foster, 1943–2025
Al Foster, a drummer regarded for his fluency across the bebop, post-bop and funk/fusion lineages of jazz, died May 28…
Linda May Han Oh released the album Walk Against Wind on Biophilia Records on April 14.
(Photo: Shervin Lainez)You switched from double bass to bass guitar during your set. What prompted you to do that?
It’s just an added element. I’ve been playing a lot more electric these days—mainly for myself, though I play a little bit in Pat [Metheny]’s band, too. It’s just a different sound, a different texture. I still want it to sound like me.
I do think in terms of colors with a lot of these compositions. So much of it is just setting the scene. But within the set, it’s still all us—even if Fabian is doing his electronic thing.
You’ve also added wordless singing to your arsenal. Has it been difficult to vocalize and play simultaneously, or did that come naturally?
I definitely practice it, and I always say to my students that they should practice it, too. It’s a very important component and a useful tool when you’re practicing certain polyrhythmic and even bi-tonal things. It’s great for your ears.
I’ve heard that it can be particularly difficult for bass players to sing and play.
You’re thinking about intonation of the bass—well, the upright bass—as well as the intonation of your voice. But it’s great to do, and a lot of musicians I know do practice it, whether or not they choose to incorporate it.
Finally, do you approach soloing differently on bass guitar?
There are definitely some technical things that are different on electric and upright, but I still want to sound like me. That’s the ultimate goal. DB
Foster was truly a drummer to the stars, including Miles Davis, Sonny Rollins and Joe Henderson.
Jun 3, 2025 11:25 AM
Al Foster, a drummer regarded for his fluency across the bebop, post-bop and funk/fusion lineages of jazz, died May 28…
Roscoe Mitchell will receive a Lifetime Achievement award at this year’s Vision Festival.
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“There’s nothing quite like it,” Springs says of working with an orchestra. “It’s 60 people working in harmony in the moment. Singing with them is kind of empowering but also humbling at the same time.”
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When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…