Jazz Fest Wraps Up its First Weekend with The Night Tripper

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“The Night Tripper” cast a spell on jazz fest yesterday, playing classics mixed with tunes from his new album, “Dis, Dat and Dudda,” at the fairgrounds. Like his earlier work, Dr. John’s new songs tell long, involved stories about the dark side of the swamp, and his annual Jazz Fest performance is always a local favorite.

Another standout on yesterday’s Jazz Fest program were sacred steel stars, the Campbell Brothers, who tore it up at the blues tent, with three pedal steel guitars, a six string bass and two gospel singers. The band hails from New York, but their backwater blues sound is reminiscent of the North Mississippi Allstars’ jams, with lines that build and build to crescendos then break back down to their steel roots like the singers’ hymnal lyrics.

Before a crowd of would be second liners, the afternoon wrapped up with sets by Big Chief Bo Dollis and the Hot 8 Brass Band at the new Jazz and Heritage stage. As clubs opened their doors to bands around town last night, Bingo! at Preservation Hall’s late night series stole the title for the most innovative act. The band, which hasn’t played together in a year, digs back into the history of Appalachian music for its repertoire, covering dusty tunes with drums, upright bass and a keyboard player who has more than few tricks up his sleeve. Singing into a bullhorn and inviting circus performers onstage, he played along to the silent film behind him as the Hall’s Ben Jaffe and Galactic’s Stanton Moore danced across the tiny wooden room.

The Jazz Fest continues next weekend, with Nicholas Payton, Terence Blanchard and Astral Project.



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    Benjamin possessed a fluid, round sound on the alto saxophone, and he was often most recognizable by the layers of electronic effects that he put onto the instrument.

  • Charles_Mcpherson_by_Antonio_Porcar_Cano_copy.jpg

    “He’s constructing intelligent musical sentences that connect seamlessly, which is the most important part of linear playing,” Charles McPherson said of alto saxophonist Sonny Red.

  • Albert_Tootie_Heath_2014_copy.jpg

    ​Albert “Tootie” Heath (1935–2024) followed in the tradition of drummer Kenny Clarke, his idol.

  • Geri_Allen__Kurt_Rosenwinkel_8x12_9-21-23_%C2%A9Michael_Jackson_copy.jpg

    “Both of us are quite grounded in the craft, the tradition and the harmonic sense,” Rosenwinkel said of his experience playing with Allen. “Yet I felt we shared something mystical as well.”

  • Larry_Goldings_NERPORT_2023_sussman_DSC_6464_copy_2.jpg

    Larry Goldings’ versatility keeps him in high demand as a leader, collaborator and sideman.


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May 2024
Stefon Harris
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