Jun 17, 2025 11:12 AM
Kandace Springs Sings Billie Holiday
When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…
Lakecia Benjamin is among 25 artists DownBeat predicts will help shape the future of jazz.
(Photo: Elizabeth Leitzell)Lakecia Benjamin’s approach to jazz is influenced by the belief that Black music of all genres has a shared lineage.
The bandleader said she first picked up a saxophone at the age of 11, but “it wasn’t until I got to high school that I started getting into jazz.” She grew up in a primarily Dominican section of Manhattan, initially playing “a lot of merengue and salsa music,” but also was exposed to soul artists like James Brown and Sly Stone.
“By the time I got to college, I was kind of wide open to the sound of things. I wasn’t thinking, ‘This instrument sounds this way,’” she said. “I was thinking more like, ‘How does the music make me feel?’”
That perspective is reflected in the range of artists Benjamin has collaborated with: A mentee of Gary Bartz, she has toured with Gregory Porter and Alicia Keys, and has shared stages with hip-hop icons Pete Rock and Missy Elliott.
Benjamin’s boundless sensibility also is showcased on a handful of leader dates: While the 2012 release Retox was imbued with the energy of vintage funk and soul, her 2018 album, Rise Up, was inflected with a refreshing hip-hop sensibility.
Her 2020 album, Pursuance: The Coltranes (Ropeadope), is a rarity, a record simultaneously paying tribute to Alice and John Coltrane. Given her musical pedigree, though, it makes perfect sense for Benjamin’s first recorded homage to be conceptually inventive, yet rooted in heritage.
“I felt incomplete just honoring one person even though, of course, John Coltrane’s music is amazing,” said Benjamin, who helmed a 2018 tribute to the saxophonist at Jazz at Lincoln Center for the Monday Nights with WBGO series.
Since releasing Pursuance, Benjamin topped the category Rising Star–Alto Saxophone in the DownBeat Critics Poll and was named Up and Coming Musician of the Year at the Jazz Journalists Association Awards.
After the success of her latest album, which featured jazz heavyweights like Regina Carter, Ron Carter and Reggie Workman (who also served as co-producer), Benjamin said she wants to continue drawing from the well of music history, to honor “these legends while they’re here, using their guidance to keep moving forward, because I think that’s a big part of the tradition.” But she also reflected on those who no longer are here.
“The whole time I was recording [Pursuance], I was imagining that [Alice and John] were sitting in front of me, watching the session. [I asked myself,] would they be pleased with my behavior in the studio, every note I played, how I’m talking, how I’m arranging?” DB
This story originally was published in the November 2020 issue of DownBeat. Subscribe here.
“There’s nothing quite like it,” Springs says of working with an orchestra. “It’s 60 people working in harmony in the moment. Singing with them is kind of empowering but also humbling at the same time.”
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