Feb 3, 2026 12:10 AM
In Memoriam: Ken Peplowski, 1959–2026
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Marsalis Music will provide May releases by two young jazz artists: Doug Wamble and Miguel Zenón.
Wamble’s Bluestate (available May 10) is the sophomore effort of the guitarist/vocalist/composer who the label introduced on the 2003 disc Country Libations. Featuring Wamble’s longstanding rhythm section of pianist Roy Dunlap, bassist Jeff Hanley and drummer Peter Miles, the new album documents the strides that the quartet have taken after months of touring and refining Wamble’s singular amalgam of jazz, blues, gospel and country music.
“Playing night after night focused us more in a jazz direction,” Wamble says, “but, in an odd way, it brought out the other eclectic stuff as well. The disparate elements are coming together in a more cohesive way.”
Alto saxophonist/composer Zenón is another musician not content to rest on his growing laurels. After releasing Ceremonial at the start of 2004, Zenón set to work on a set of new compositions inspired by music from the rural regions of his native Puerto Rico. The result is Jíbaro (available May 24), a collection of ten pieces which have earned rave reviews as Zenón has performed them with his quartet.
“When I started to work on my own music and to develop my own sounds, I looked into Puerto Rican music,” Zenon says, “and after immersing myself in bomba and plena, I pushed further and started to address Jíbaro. At the beginning I just wanted to learn about the music, but after I learned the rules and the forms, I heard that they allowed me to apply my own ideas.’
What has resulted is brilliant playing from Zenón and his bandmates pianist Luis Perdomo, bassist Hans Glawischnig and drummer Antonio Sánchez.
Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.
Feb 3, 2026 12:10 AM
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
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Richie Beirach was particularly renowned for his approach to chromatic harmony, which he used to improvise reharmonizations of originals and standards.
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“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”
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Midway through August, a few days after concluding a week at the Village Vanguard with the quartet that Andrew Cyrille…
Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.
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For the better part of a year, rumors have been swirling that Wynton Marsalis was going to step down as artistic and…