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Three-time Grammy winner Lewis had tremendous success at crossing over from the jazz charts to the pop charts.
(Photo: Bob Richards)Jazz pianist, three-time Grammy winner and NEA Jazz Master Ramsey Lewis, who successfully crossed over from the jazz charts to the pop charts, most notably with his smash hit “The In Crowd,” died at his home in Chicago on Sept. 12. He was 87.
Ramsey E. Lewis Jr. was born in Chicago on May 27, 1935. Growing up in the Cabrini Green housing project, he began taking piano lessons at age 4 and played piano at church, where his father was choir director. A jazz fan who played lots of Duke Ellington and Art Tatum at home and took his son to jazz concerts, Ramsey Lewis Sr. encouraged Ramsey to embrace that music.
When Lewis was a freshman at Wells High School, saxophonist and pianist Wallace Burton, a fellow church musician whose jazz ventures had enticed the young pianist, asked him to join his band, the Clefs, a septet of collegians that blended jazz and R&B. Lewis needed to familiarize himself with bebop and other jazz styles but learned on the run. After the outbreak of the Korean War, the military draft claimed several members of the Clefs, including Burton. The three members who didn’t get drafted — Lewis, bassist Eldee Young and drummer Redd Holt — formed what would become known as the classic Ramsey Lewis Trio.
In 1956, they released their first album, Ramsey Lewis And His Gentlemen Of Jazz, on the Chess label. Three years later, Lewis was invited to perform with the trio at Birdland in New York. Their three-week gig led to performances at the Newport Jazz Festival and the Village Vanguard, and recordings with Max Roach, Clark Terry and Sonny Stitt.
Lewis broke through in a big way in 1965 with the early crossover smash “The In Crowd.” The elegantly funky, Grammy-winning song (written by Dobie Gray) was followed by two more chart-toppers, “Hang On Sloopy” and “Wade In The Water.”
After Young and Holt left to form their own group, Lewis continued in the trio format with bassist Cleveland Eaton and future Earth, Wind & Fire eminence Maurice White on drums. He subsequently experimented on electronic keyboards in more expansive settings. A high point was his 1974 album Sun Goddess, produced by White and featuring members of Earth, Wind & Fire (whose falsetto specialist Philip Bailey he would tour with years later). The recording established Lewis as a fusion music icon with broad appeal.
Over the years, Lewis has performed and recorded in a remarkable variety of musical settings. Throughout the ’70s, he embraced R&B and Latin music without abandoning mainstream jazz. In 1983, on the album Reunion, he reconstituted his most famous trio.
In 1995, he introduced the crossover supergroup Urban Knights, featuring Grover Washington Jr., Earl Klugh and Dave Koz. Urban Knights I was the first of eight albums by the band. In 2005, returning to his gospel roots, Lewis recorded With One Voice, which earned him the Stellar Gospel Music Award for Best Gospel Instrumental Album.
Among his many honors were five honorary doctorate degrees and an NAACP Image Award for Outstanding Jazz Artist. “The In Crowd” single was inducted into the Grammy Hall of Fame, and his personal memorabilia reside at the Smithsonian Institution. Lewis received a 2007 National Endowment for the Arts Jazz Master Award, which placed him in the hallowed company of such piano legends as Ahmad Jamal, Chick Corea, McCoy Tyner, Billy Taylor and Cecil Taylor.
In his late ‘80s, Lewis still connected with younger generations. His monthly Saturday Salon livestream series, produced during the pandemic by his wife, Jan, was critically acclaimed. His forthcoming album, The Beatles Songbook: The Saturday Salon Series, Volume One, which will be released Nov. 11 by Steele Records, was drawn from the livestream performances. Ramsey also spent the last year of his life working on his memoir Gentleman of Jazz with his co-writer Aaron Cohen. The book will be released via Blackstone Publishing next year.
In lieu of flowers, make donations to The Jazz Foundation of America. DB
To read a full-length interview with Ramsey Lewis and saxophonist Kirk Whalum from the May 2010 issue of DownBeat, click here.
Bley told DownBeat in 1984: “I’m just a composer, and I use jazz musicians because they’re smarter, and they can save your ass in a bad situation. … I need all the help I can get.”
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