Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
With Elastic, Joshua Redman’s Warner Bros. album set for a Sept. 10 release, the saxophonist and composer rises to yet another artistic challenge in his diverse career. Known primarily for playing swing-based jazz with acoustic ensembles, Redman explores the new textures of electric instruments and funk rhythms. “The goal was to break down the boundaries between an open jazz aesthetic and a tight funk aesthetic,” Redman says. “Rather than creating a groove at the expense of spontaneity and interaction, I wanted to make music that has that clarity and assertiveness in the rhythm but is still open, fluid, flexible, elastic.”
For Redman, the essential idea behind Elastic is its jazz soul. Though he, keyboard player Sam Yahel and drummer Brian Blade are locked in a tight groove throughout the record, they maintain the freedom to improvise as they would within swing’s looser rhythmic setting. Recording Elastic was a creatively liberating experience. The trio’s live performances form the core of the record, with tastefully-used effects and overdubbed accents adding exciting layers to the band’s sound. The record’s 11 tracks draws from the improvisational skills of the band and Redman’s prowess as a composer to tell a dramatic musical story. Part of what makes the record remarkable is the way in which the performers express their own spontaneous ideas within a carefully defined song structure, blending the central tenets of jazz with those of soul, funk and blues.
This concept had long been germinating when Redman began jamming in the late 1990’s with Yahel and Blade at New York City club Small’s. Elastic is Redman’s ninth album as a bandleader and follows 2001’s long-form acoustic jazz suite Passage Of Time.
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
“These days, with curated news, where people only get half the story, people can’t even speak to family members anymore,” Schneider laments.
Mar 10, 2026 1:43 PM
Maria Schneider is doing her part to try to fix what ails America. Which got her thinking about crows, specifically,…
Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
Mar 30, 2026 10:20 PM
Every April for the past quarter century, something remarkable has happened across the United States and far beyond.…
Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
Apr 7, 2026 1:21 PM
There’s pluralism, then there’s PLURALISM! — and then there’s Big Ears. Thurston Moore, who participated in…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
Apr 21, 2026 10:00 AM
Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…