Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Bassist Christian McBride (left), saxophonist Joshua Redman, drummer Brian Blade and pianist Brad Mehldau reconvened in the studio after more than two decades for RoundAgain.
(Photo: Michael Wilson)He recalls trying to connect his love of Black music to his background by playing with his father and experiencing “the depth of feeling and the soul, and the anguish, but also the affirmation in his sound.” Redman also discovered a brotherhood with other African-American musicians, including Blade.
The drummer mentioned that he and Redman were just recently talking about Floyd’s killing. Their experiences as jazz musicians—generally being treated with respect and deference wherever they go, engaging positively with people of all races and backgrounds—seem like they’ve sprung from a world different from what so many people who look like them encounter every day.
“It makes me feel sometimes like I live in a bubble,” Blade said. “We make music and we sort of exist in that idealism. So, how can we send more of that out into the world?”
Redman, who once considered becoming a civil rights attorney, sees music as a reconciliation: “Part of the genius of jazz is that it ultimately resolves these inherent tensions [of Black and white culture]. In its best expression, you get these opposing elements, but somehow, some sort of transcendence is reached where there’s a sort of resolution, some affirmation in the face of all this anguish and heartbreak. It’s a privilege to play the music.”
Like many musicians, both performers are looking to engage with the call for social justice. Perhaps the music they’ve created—following in the footsteps of jazz masters who worked to address societal ills—is their best answer.
But even amid the tumult of the past several months, Blade embodies the eternal optimist: “Martin Luther King [said], ‘Where do we go from here?’ [King] was asking that question, and we’re still having to ask that question. I just hope that we all can go there together.” DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
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In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
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As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
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If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
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In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
