SJO Announces 8th Annual George Duke Commissioning Prize

  I  
Image

George Duke (1946–2013) in concert with the Symphonic Jazz Orchestra.

(Photo: Courtesy SJO)

The Symphonic Jazz Orchestra, led by music director and founder Mitch Glickman, has announced the 8th Annual George Duke Commissioning Prize Competition. Established in 2002, the competition now honors the legacy of the late keyboardist, composer and producer George Duke (1946–2013), a former SJO co-music director. It resumes this year following a hiatus due to the COVID pandemic.

Offering a prize of $5,000, the George Duke Commissioning Prize Competition for a new orchestral score blending jazz and classical music is open to all composers, with a submission deadline of Aug. 15. The SJO Music Advisory Board, whose members include Billy Childs, John Clayton, Joseph Conlan, Peter Erskine, Christian McBride, Bob Mintzer and Ernie Watts, will select the winning composer, whose work will be premiered in concert by the SJO and entered into the catalog of symphonic jazz commissions. To date, the competition has resulted in 18 new works. Past winners include Alan Chan, Scott Routenberg, G. Patrick Gandy, Daniel Szabo, Remy Le Boeuf, Jihye Lee and Christopher Zuar.

“We are excited to resume the competition and select a new composer to commission in George Duke’s honor,” Glickman said. “George embodied our mission, and this is always a special way to honor his legacy.”

Created in 2002, the 68-member SJO is a hybrid ensemble dedicated to blending the worlds of jazz and classical music through its commissioning, performing and educational programs. The ensemble has performed throughout Southern California with leading guest artists including Duke, Dave Grusin, Christian McBride, Raul Midon, Lee Ritenour, Luciana Souza, The Yellowjackets, Chris Brubeck, Miguel Zenón and Keyon Harrold.

To apply for the Symphonic Jazz Orchestra’s George Duke Commissioning Prize, visit sjomusic.org or call (310) 876-8130. DB



  • Casey_B_2011-115-Edit.jpg

    Benjamin possessed a fluid, round sound on the alto saxophone, and he was often most recognizable by the layers of electronic effects that he put onto the instrument.

  • Albert_Tootie_Heath_2014_copy.jpg

    ​Albert “Tootie” Heath (1935–2024) followed in the tradition of drummer Kenny Clarke, his idol.

  • Geri_Allen__Kurt_Rosenwinkel_8x12_9-21-23_%C2%A9Michael_Jackson_copy.jpg

    “Both of us are quite grounded in the craft, the tradition and the harmonic sense,” Rosenwinkel said of his experience playing with Allen. “Yet I felt we shared something mystical as well.”

  • 1_Henry_Threadgills_Zooid_by_Cora_Wagoner.jpg

    Henry Threadgill performs with Zooid at Big Ears in Knoxville, Tennessee.

  • Ambrose_Akinmusire-908Z-5301_copy.jpg

    “I’m also at a point in my life where I don’t feel like I have anything to prove, like at all,” Akinmusire says about his art.


On Sale Now
May 2024
Stefon Harris
Look Inside
Subscribe
Print | Digital | iPad