Terence Blanchard—who won a Grammy in the category Best Instrumental Composition for “Blut Und Boden (Blood And Soil),” a work featured in Spike Lee’s 2018 movie BlacKkKlansman—composed the score for the filmmaker’s latest effort, Da 5 Bloods.

The time Steve Cardenas has spent performing alongside Charlie Haden, Paul Motian, Norah Jones and Madeleine Peyroux has come to bear on his approach to guitar.

Oneness Of Juju in the studio during the 1970s. A batch of the band’s recordings is being reissued as African Rhythms 1970-1982.

Terri Lyne Carrington, who topped three categories in the 2020 DownBeat Critics Poll, is the first female instrumentalist to win the Jazz Artist of the Year category.

Saxophonist Sharel Cassity and multi-disciplinary artist Richard Johnson are set to stream a July 12 show as part of the Sunday Night Jazz Series presented by The Hyde Park Jazz Festival in partnership with the Hyde Park Jazz Society.

Pianist, composer and arranger John Beasley returns for his third outing with the MONK’estra on MONK’estra Plays John Beasley (Mack Avenue.)

Vocalist Lauren Henderson (clockwise from top-left), broadcaster and journalist Mark Ruffin, manager Gail Boyd, venue-owner Gerry Eastman and bassist John Clayton recount some of their experiences in the jazzworld.

Mama, You Can Bet! (SomeOthaShip Connect) is Georgia Anne Muldrow’s third album release under her spiritual name, Jyoti.

Dave McMurray (left), Esperanza Spalding, Ravi Coltrane and Terri Lyne Carrington pay tribute to the late Geri Allen at the 2018 Detroit Jazz Festival.

Eddie Henderson says that during his career he’s had to develop the “maturity of knowing when to play and when not to play.”