Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Pianist, composer and arranger John Beasley returns for his third outing with the MONK’estra on MONK’estra Plays John Beasley (Mack Avenue.)
(Photo: Rob Shanahan)Originally a part of Duke Ellington’s Black, Brown And Beige, the composition “Come Sunday” has taken on a life of its own during the past several decades. And bandleader John Beasley has included the tune on his upcoming album, MONK’estra Plays John Beasley, set for release Aug. 21 on Mack Avenue.
The tune, which features classical baritone Jubilant Sykes, is undergirded by a passionate wash of color, making use of a lyric that’s as salient today as when it was written in 1942.
“I wrote the arrangement of ‘Come Sunday’ shortly after re-reading To Kill a Mockingbird, and it was sort of like scoring that movie for me,” Beasley said. “We’re still struggling with the same issues of justice as in that book, and I hope this arrangement tells a musical story of hope; the hope that African Americans put in their music, and the hope that they share for the future of this country to strive for equality.”
The version here, Beasley said, leans on the idea that Gospel music has reached generations of jazz players, including Ellington and John Coltrane. Whatever the lens, Beasley’s arrangement, replete with a burning saxophone feature toward the final third of the piece, summons the spirit, exaltation and perseverance present in Duke’s original. DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
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In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
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As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
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If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
