Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Terence Blanchard—who won a Grammy in the category Best Instrumental Composition for “Blut Und Boden (Blood And Soil),” a work featured in Spike Lee’s 2018 movie BlacKkKlansman—composed the score for the filmmaker’s latest effort, Da 5 Bloods.
(Photo: Henry Abenejo)In the pantheon of collaborative triumphs, musical partnerships like Billie Holiday and Lester Young or Miles Davis and Teo Macero are easy to reference. At some point, though, jazz historians are going to need to survey the work that trumpeter and composer Terence Blanchard has done with filmmaker Spike Lee.
The director’s latest endeavor—a Netflix feature called Da 5 Bloods—recounts the story of a cohort of Black war veterans who travel back to Vietnam in an attempt to recover a fallen friend and find buried gold. In part, it’s a genre picture, a combination of war movie and buddy flick, with the onetime soldiers trekking into the jungle and dealing with the past.
For Blanchard, who spoke to DownBeat recently from his home in New Orleans, the past and America’s endlessly problematic origin story seem to have been on his mind. His own previous leader dates have explored gun violence and police brutality, and his latest film score (set alongside a bevy of Marvin Gaye tunes) isn’t wholly divorced from those ideas, elevating Lee’s feature in the process.
During a wide-ranging conversation, Blanchard discussed his working relationship with Lee, other projects that are continuing despite the pandemic and President Donald Trump’s prospects in the November elections.
“If people of color come out to vote in this country,” Blanchard said, “he’s sunk.”
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
“With jazz I thought it must be OK to be Black, for the first time,” says singer Sofia Jernberg.
Jan 2, 2025 10:50 AM
On Musho (Intakt), her recent duo album with pianist Alexander Hawkins, singer Sofia Jernberg interprets traditional…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…