Oct 28, 2025 10:47 AM
In Memoriam: Jack DeJohnette, 1942–2025
Jack DeJohnette, a bold and resourceful drummer and NEA Jazz Master who forged a unique vocabulary on the kit over his…
Victor Gould experiments with new voices and longstanding collaborators on Thoughts Become Things.
(Photo: Jimmy Katz)Drummond found that she had an immediate connection with his sound and concept: “Victor’s music is both beautiful and intellectual. He is a force.”
She also instantly felt the kind of openness Gould aimed to cultivate among his collaborators.
“Though his music is conceptually very clear, Victor is open to new ideas and different energies,” Drummond said. “So, playing with him is a truly wonderful experience. He creates a comfortable atmosphere, letting players be themselves, which opens doors to real creative moments.”
Gould completes the album’s rhythm section with drummer Rodney Green and bassist Vicente Archer, the latter having recorded with Gould on some of Pelt’s projects. Gould acknowledged calling each artist—and in particular Green and Archer—because he knew they would filter his work through their own experiences and approaches to music.
“No matter what I would bring in, they kind of made it their own,” the pianist said, “customized it and made it personal.”
Before departing in early August for a 12-day tour of Japan, Gould seemed energized and eager to take his own project around the world. “[Now,] you can just jump straight on the scene and be a leader,” he said. “And it seems like the only way to gain that popularity, to get to the next level, is to be a leader.” DB
Jack DeJohnette boasted a musical resume that was as long as it was fearsome.
Oct 28, 2025 10:47 AM
Jack DeJohnette, a bold and resourceful drummer and NEA Jazz Master who forged a unique vocabulary on the kit over his…
“Think of all the creative people I’m going to meet and a whole other way of thinking about music and a challenge of singing completely different material than I would have sung otherwise to my highest level in dedication to the moment,” Elling says about his Broadway run.
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“[That’s] the thing of the beboppers,” Bradford said. “These guys were important for not only playing that wonderful music, but they knew a sort of social stance, you see?”
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Esperanza Spalding closed an audacious Chicago Jazz Festival set with “Endangered Species.”
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