Billy Mohler’s Ultraviolet was inspired by Sonny Rollins’ A Night At The Village Vanguard and Ornette Coleman’s The Shape Of Jazz To Come.

Seeking to create a vibe similar to New York’s Village Vanguard, Paul Solomon (left) and David Robaire have made L.A.-based Sam First an artist-friendly club with its own record label.

“I feel honored to have been a part of this legacy and tradition,” Jackson says of his years at the helm of the Monterey Jazz Festival. “I’m proud of the work that I did.”

“He knew how to administer to the needs of a beginner, and had the skill set and patience to teach somebody young,” says saxophonist Greg Osby of his first music teacher, Fred Irby III.

“I mortgaged my house a couple of times, but it was worth it,” Muscarella says of working to establish Jazzschool and California Jazz Conservatory.

“I really respect people who could learn this vocabulary and find a way to express it in a way that is so unique,” Nduduzo Makhathini said of the late pianist Don Pullen during his live Blindfold Test.

“No matter what you produce or do in your life, the thing you’ll be remembered for is rescuing all that Blue Note material,” Woody Shaw once said of Michael Cuscuna, and Cuscuna is fine with that.

Calligram founders Geof Bradfield (left) and Chad McCullough are dedicated to putting out physical product.

Pops at home in Corona, Queens.

Davis says, “I wouldn’t call myself a jazz musician; my music is more about crossing boundaries.” Her band Alula, from left: Chris Tordini, Davis, Tyshawn Sorey and Val Jeanty.