Even when guitarist and scholar José Dias is on stage, he’s doing research.

With the release of Nérija’s full-length debut, Blume (Domino), saxophonist Nubya Garcia’s career pushes on to a new stage.

Fifty years ago, Manfred Eicher co-founded Edition of Contemporary Music, better known as ECM, and has issued more than 1,600 titles spanning jazz and classical sounds.

Uri Caine’s most recent album celebrates the work of civil-rights advocate Octavius Catto (1839–’71).

Joe Lovano’s new ensemble, Universal Jazz Ensemble, premiered in the Appel Room at Jazz at Lincoln Center on Oct. 18.

​Pianist ELEW and guitarist Kurt Rosenwinkel worked together on the solo piano album Cubism.

Wayne Shorter (shown here in a scene from the documentary Blue Note Records: Beyond the Notes) won three categories in the 2019 DownBeat Readers Poll: Jazz Artist, Jazz Album (for Emanon) and Soprano Saxophone.

Miguel Zenón steered past his most recent release, a lovely tribute to the work of Ismael Rivera, and headed right into muscular post-bop territory during the Angrajazz festival, which ran Oct 3-5 on Terceira Island in the Azores.

The sound of pianist Marilyn Crispell changed following a trip to a festival in Stockholm: “I heard them playing stuff that really, really touched me.”

Mark Kavuma’s sophomore album, The Banger Factory, places him at the center of London’s rapidly expanding jazz scene.