Aug 27, 2024 12:09 PM
Remembering Russell Malone, 1963-2024
Guitarist and bandleader Russell Malone died Aug. 23, while on tour in Japan, after battling end-stage kidney failure.…
Singer and guitarist Camila Meza was slightly anxious when, as a 19-year-old jazz novice, she took the stage for her debut at Thelonious, a top club in her native Santiago, Chile. But as she worked her way through a set of standards, she grew calmer. By the end of the night, she had found a home.
“I was [thinking], ‘OK, this is it,’” she said in August, her searching eyes framed by the screen in a Zoom transmission from a lush site in Montana, where she had been holed up for five months because of the pandemic.
Meza, 35, seemed at home in Big Sky country—a setting that recalled the hills around Santiago, where she frolicked gamely in a video shot in February 2019 for “Kallfu,” the striking opening track on her breakthrough album, Ámbar (Sony Masterworks).
She reflected on the distance she had traveled, artistically and geographically, since that Thelonious gig. In 2007, she released Skylark, followed by two more collections of others’ tunes, Retrato (2009) and Prisma (2013).
Traces (2016), her first full-scale presentation of her own music, won two Independent Music Awards. But even as she was preparing to release that album, she was thinking about material for Ámbar, which, by involving a contemporary string quartet, transformed her sound.
“It is a record,” she explained, “that is ambitious in a way that, ‘Yes, I’m going to write my own songs and arrangements, but I’m also going to explore new orchestrations and new ways of expressing certain emotions and journeys within the music.’”
On “Kallfu,” she integrates primal vocals and nimble guitar work with a jazz trio and the string quartet, which, by turns, drives the rhythm in minimalist fashion and breaks the rhythm with aleatoric invention.
In Meza’s music, poignant explorations of sadness are offset by an occasional joyful noise. “Kallfu,” she said, was intended to do just that for Ámbar by introducing a “song that was in the brighter spectrum.”
In “Portal,” an extended composition she hopes to record, she expresses both sides of her musical personality. Employing fresh instrumentation—a harp, electronics and additional singers join her voice, guitar and piano-bass-drums trio—this highly textured work evokes both the near-apocalypse and ultimate salvation. Premiered in June 2019 as part of The Jazz Gallery’s commission series, its theme has special resonance these days.
“One of the very clear learnings of this time is to be able to let go of certain things, like attachments to whatever you think life should be,” she said. “We had a beautiful year last year and now, after a few months of not feeling creative—I was pushing myself through these emotional waves of feeling good and feeling bad—I’m starting to feel renewed energies to just speak for the moment.” DB
This story originally was published in the November 2020 issue of DownBeat. Subscribe here.
Aug 27, 2024 12:09 PM
Guitarist and bandleader Russell Malone died Aug. 23, while on tour in Japan, after battling end-stage kidney failure.…
Sep 24, 2024 12:02 PM
Benny Golson, one of the greatest composers and saxophonists of the bebop era, passed away Saturday, Sept. 21, at his…
Sep 17, 2024 11:40 AM
The 18th Annual Hyde Park Jazz Festival will be held on 13 unique stages across Chicago’s Hyde Park, Kenwood and…
Sep 4, 2024 1:29 PM
“To get this honor at this late stage, I suppose I’m blessed. I just know that this is a sacred song, and I’m in…
Sep 10, 2024 12:25 PM
On April 12 of this year, Herbie Hancock turned 84. How many people do you know in their 80s who are still working full…