Chicago Jazz Ensemble Names New Music And Education Directors

  I  

The Chicago Jazz Ensemble (CJE), under the artistic direction of Jon Faddis, has named Dana Hall as its music director and Darius Hampton as education director. The news was announced by CJE Executive Director J. Richard Dunscomb. In addition to their new roles, Hall will maintain his seat as drummer for the CJE and Hampton will continue as music librarian.

“We are pleased to celebrate the expanded roles of these two exceptional jazz aficionados,” said Dunscomb. “Dana is as talented on the stage as he is behind-the-scenes and Darius’ experience as our historian will lend a great deal to our education programs.”

As Music Director, Hall will supervise musicians and concert production and work with Faddis as welll as the music department chair and education director on the band’s vision. Hampton will develop a strategic plan for educational vision and materials and maintain regular contact with Chicago Public Schools, festivals and concerts with educational entities and projects.

More info: chicagojazzensemble.com



  • Courtesy_of_the_Ulmer_family.jpg

    To the world, James Blood Ulmer was a legend, a visionary and a musical force whose sound was distinctive and unique. To his family, he was their teacher, their storyteller and a source of strength.

  • DB26_Critics_Poll_Montage.jpg

    Clockwise from top left, Mary Halvorson, Patricia Brennan, Adam O’Farrill, Keith Jarrett’s At the Deer Head Inn: The Complete Recordings, Sheila Jordan and Jaki Byard.

  • Abdhullah_Ibrahim_Detroit_Jazz_Festival_2022_by_Michael_Jackson.jpg

    Ibrahim was an early jazz acolyte, studying the music via 78s he would buy from soldiers stationed in South Africa — who also gave him the nickname “Dollar.”

  • Rodney_Holmes_Courtesy_Meinl.jpg

    A drummer’s drummer, Rodney Holmes gigged with everyone from Joe Zawinul and Carlos Santana to Steve Kimock and the Brecker Brothers.

  • promoFINALdress-1_copy.jpg

    “There was something about her tone and sound and phrasing — an intimacy, a vulnerability, an honesty,” says Joshua Redman, who produced Cavassa’s record after she toured with his band.