Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Damon Smith (left) and Ra-Kalam Bob Moses
(Photo: Craig Marshall)Why did you decide on Native Pulse as a recording location?
The studio is in Moses’ home, and he has an amazing expanded kit there. The primary reason was to work with the sounds he’s developed on that kit. It meant playing in very close quarters, but that’s something Henry has always loved anyway, and it actually gives good results in the interactions. Engineer David Sullivan runs Native Pulse, and got an incredible sound.
What’s the manifesto of your label, Balance Point Acoustics?
It started in 2001 with a duo bass recording I made with the great Peter Kowald. The focus is free improvisation and free jazz. The artwork for each album is very important to me, and I like having a place where I can make a release look and sound exactly how I want, which helps when I work with other labels. I can just go with the concepts they are working with, knowing I have an outlet for making releases exactly how I want. I have good luck getting labels to release my music, but BPA is really for releases I want to keep control of, and release when I want to.
One of the reasons this was able to come out so soon after recording is that we’d chosen the cover art before we even played. I saw an article on the pastel drawings of the important abstract filmmaker Jordan Belson. Henry knows the family and was able to get permission to use them; the CD release of Astral Plane Crash has a 12-page booklet with 10 of the drawings, instead of liner notes. DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
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In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
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Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
