This Is What ECM Sounds Like in 2018

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Pianist Keith Jarrett—along with bassist Gary Peacock and drummer Jack DeJohnette—released After The Fall (ECM) in March.

(Photo: Rose Anne Jarrett)

As ECM Records wades deeper into its 49th year, the German imprint has maintained a stunning persistence of vision—in both the types of jazz projects it produces and the visual aesthetic that’s become its trademark.

But it’s tough keep up with the label’s torrent of releases, so DownBeat has put together a helpful guide to some of ECM’s recent recordings. Dig in. DB



  • Flea_by_Gus_Van_Sant_copy.jpg

    “Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”

  • 2026_Cecil_McLorin_Salvant_Sullivan_Fortner_Big_Ears.jpg

    Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.

  • JAM_posters_-_a_selection_cropped.jpg

    Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.

  • NikBaertschs_RONIN_by_Christian_Senti.jpg

    “We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”

  • Stefano_Bollani_by_David_Morresi%3AUmbria_Jazz_copy.jpg

    Bollani demonstrates at the piano during a live Blindfold Test in Umbria, Italy, while writer Ashley Kahn, right, and translator Greg Burk look on.