This Is What ECM Sounds Like in 2018

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Pianist Keith Jarrett—along with bassist Gary Peacock and drummer Jack DeJohnette—released After The Fall (ECM) in March.

(Photo: Rose Anne Jarrett)

As ECM Records wades deeper into its 49th year, the German imprint has maintained a stunning persistence of vision—in both the types of jazz projects it produces and the visual aesthetic that’s become its trademark.

But it’s tough keep up with the label’s torrent of releases, so DownBeat has put together a helpful guide to some of ECM’s recent recordings. Dig in. DB



  • Roy_Haynes_by_Michael_Jackson_2012.jpg

    “I treat every day like it’s Thanksgiving,” said Roy Haynes.

  • Zakir_Hussain_2011_Symphony_Center_copy.jpg

    “Watching people like Max Roach or Elvin Jones and seeing how they utilize the whole drum kit in a very rhythmic and melodic way and how they stretched time — that was a huge inspiration to me,” Hussain said in DownBeat.

  • ART7087_Mike_Stern_by_Sandrine_Lee_72dpi_RGB_PR8391_copy.jpg

    “I love doing ballads,” Mike Stern says. “It’s just a part of me, some part of emotionally how I feel sometimes.”

  • Billy_Cobham_and_MJ_by_Alfie_Jackson_copy_2.jpg

    Jazz journalist Michael Jackson, left, dispenses a live Blindfold Test to drum master Billy Cobham.

  • KennedyCenter.jpg

    Queen Latifah extols Harlem and the Apollo Theater at this year’s Kennedy Center Honors.


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