This Is What ECM Sounds Like in 2018

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Pianist Keith Jarrett—along with bassist Gary Peacock and drummer Jack DeJohnette—released After The Fall (ECM) in March.

(Photo: Rose Anne Jarrett)

As ECM Records wades deeper into its 49th year, the German imprint has maintained a stunning persistence of vision—in both the types of jazz projects it produces and the visual aesthetic that’s become its trademark.

But it’s tough keep up with the label’s torrent of releases, so DownBeat has put together a helpful guide to some of ECM’s recent recordings. Dig in. DB



  • Buster_Williams_by_Jimmy_Katz_copy.jpg

    “What I got from Percy was the dignity of playing the bass,” Buster Williams said of Percy Heath.

  • Don_and_Maureen_Sickler_by_Richard_Halterman_copy_2.jpg

    Don and Maureen Sickler serve as the keepers of engineer Rudy Van Gelder’s flame at Van Gelder Studio, perhaps the most famous recording studio in jazz history.

  • 241e91ef-80d3-7409-17b8-d66ab05d21a1_EE.jpg

    ​The Free Slave, Cosmos Nucleus and Sunset To Dawn: three classic Muse albums being reissued this fall by Timer Traveler Recordings.

  • Darius_Jones_JazzEmAgosto_2025_By_Petra_Cvelbar.jpg

    ​This year’s Jazz em Agosto set by the Darius Jones Trio captured the titular alto saxophonist at his most ferocious.

  • Trio_aRT_courtesy_Trio_aRT_copy_3.jpg

    Trio aRT with its avalanche of instrumentation: from left, Pheeroan akLaff, Scott Robinson and Julian Thayer.