This Is What ECM Sounds Like in 2018

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Pianist Keith Jarrett—along with bassist Gary Peacock and drummer Jack DeJohnette—released After The Fall (ECM) in March.

(Photo: Rose Anne Jarrett)

As ECM Records wades deeper into its 49th year, the German imprint has maintained a stunning persistence of vision—in both the types of jazz projects it produces and the visual aesthetic that’s become its trademark.

But it’s tough keep up with the label’s torrent of releases, so DownBeat has put together a helpful guide to some of ECM’s recent recordings. Dig in. DB



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    Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.

  • Lettuce_by_Sam_Silkworth_2026_copy.jpg

    Lettuce, from left: Eric Coomes, Adam Deitch, Ryan Zoidis, Eric Bloom, Adam Smirnoff and Nigel Hall

  • New_Orleans_Trad_Jazz_Camp_Courtesy_New_Orleans_Trad_Jazz_Camp.jpg

    New Orleans Trad Jazz Camp

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    Lovers of the big band experience, clockwise from top left, John Clayton, Leigh Pilzer, Ted Nash, David Pietro and Christine Jensen.

  • Sullivan_Fortner_by_Melanie_Mor.jpg

    Sullivan Fortner continues a winning streak with his third Grammy for Jazz Album of the Year after earning the Gilmore Larry J. Bell Artist Award last October.


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