This Is What ECM Sounds Like in 2018

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Pianist Keith Jarrett—along with bassist Gary Peacock and drummer Jack DeJohnette—released After The Fall (ECM) in March.

(Photo: Rose Anne Jarrett)

As ECM Records wades deeper into its 49th year, the German imprint has maintained a stunning persistence of vision—in both the types of jazz projects it produces and the visual aesthetic that’s become its trademark.

But it’s tough keep up with the label’s torrent of releases, so DownBeat has put together a helpful guide to some of ECM’s recent recordings. Dig in. DB



  • Cassandra_Wilson_%40_2026_Mark_Sheldon-2_copy_2.jpg

    Wilson’s ability to connect to audiences helped her to win two Grammy awards and multiple other accolades. She was named an NEA Jazz Master in 2022.

  • Pritesh_Walia_courtesy_Pritesh_Walia.jpg

    “The love from the jazz and music community restored my faith in humanity,” Walia wrote in an online post upon his release from detention at an ICE facility.

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    ​Percussionist Poncho Sanchez was among the artists scheduled to perform at the now-canceled inaugural LA Jazz Festival.

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    Bertoncini was a specialist and advocate for the nylon-string acoustic guitar, turning down high-profile opportunities that were unsuited to the sound and techniques that he used with that instrument.

  • DB26_Joshua_Redman_Courtesy_Joshua_Redman.jpg

    A solo concert by saxophonist Joshua Redman will close the first night of the Hyde Park Jazz Festival on Sept. 26.