This Is What ECM Sounds Like in 2018

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Pianist Keith Jarrett—along with bassist Gary Peacock and drummer Jack DeJohnette—released After The Fall (ECM) in March.

(Photo: Rose Anne Jarrett)

As ECM Records wades deeper into its 49th year, the German imprint has maintained a stunning persistence of vision—in both the types of jazz projects it produces and the visual aesthetic that’s become its trademark.

But it’s tough keep up with the label’s torrent of releases, so DownBeat has put together a helpful guide to some of ECM’s recent recordings. Dig in. DB



  • Kandace_Springs_by_Eli_Sethna_copy.jpg

    “There’s nothing quite like it,” Springs says of working with an orchestra. “It’s 60 people working in harmony in the moment. Singing with them is kind of empowering but also humbling at the same time.”

  • James_Brandon_Lewis_by_Julien_Vonier_lo-res.jpeg

    James Brandon Lewis earned honors for Artist of the Year and Tenor Saxophonist of the Year. Three of his recordings placed in the Albums of the Year category.

  • Hal_Galper_Courtesy_halgalper.com_copy.jpg

    Galper was often regarded as an underrated master of his craft.

  • DownBeat_May_8%2C_1975_2.jpg

    Chuck Mangione on the cover of the May 8, 1975, edition of DownBeat.

    Chuck Mangione, Rest in Peace

    Chuck Mangione, one of the most popular trumpeters in jazz history, passed away on July 24 at home in Rochester, New…

  • Rodney_Whitaker_by_Lynne_Brown.jpg

    “Hamiet was one of the most underrated musicians ever,” says Whitaker of baritone saxophonist Hamiet Bluiett.


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September 2025
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