May 26, 2026 11:08 AM
Sonny Rollins Passes Away at 95
Sonny Rollins, the iconic saxophonist, composer and improviser whose career stretched from the origins of bebop to 21st…
Guitarist Raphael Roginski has performed as a solo artist, in duos and in numerous ensembles.
(Photo: Wieslaw Szuminski, from Raphael Roginski’s Facebook page)Polish guitarist Raphael Roginski discusses creativity with the same type of idiosyncratic, poetic aesthetic informs his stunning music.
“I recognized that playing an instrument should be like playing on veins or your hair,” he said. “It must be part of your body. Most of my guitar sounds are like an instrument made from ribs and veins.”
Through the use of different tuning systems and a largely self-taught practice that privileges scrabbling tangles of notes over familiar melodic flow, Roginski indisputably makes his guitar sound like something other than a conventional instrument.
When he was a young boy, his grandmother gave him a traditional spike fiddle, known as a kemenche.
“It was to make my dreams come true,” he said, referring to his grandmother’s gift and his childhood desire to own a guitar. “This gesture is still the basis for my music, how to create culture.”
Before eventually picking up an actual guitar, Roginski approached the kemenche like it was a guitar, eschewing the traditional bow and developing a singular style wherein melodies where shaped in gnarled clusters.
He first started reaching fans outside of Poland through his work in jazz-related ensembles, such as Hera, a wide-ranging internationally flavored ensemble led by clarinetist Waclaw Zimpel, and Shofar, a wildly careening trio with fire-breathing saxophonist Mikolaj Trzaska that brought a free-jazz intensity to traditional Jewish music, particularly nigunim.
But his music reaches much further, whether he’s playing art-rock in Wovoka, instrumental surf music in Alte Zachen or moody, richly atmospheric post-klezmer with the wonderful Cunfukt. In each context his playing stands out, just as it did in more jazz-related settings. In Hera he injected a brooding intensity that articulated melodies in a bizarrely non-linear fashion that made each solo an adventure.
In recent years, however, Roginski has distinguished himself through a series of recordings that mix solo performances and duets with a handful of distinctive female singers. Since 2015 he’s made three albums for the Bolt label’s Populista series, reinventing music by John Coltrane, baroque composer Henry Purcell, and obscure folk songs of Kurpie people from the Mazovia region of Poland. There are moments where a listener can’t miss a familiar Purcell air or a melodic phrase from “Countdown,” but by and large Roginski has made the music all his own.
He feels that the connective tissue for all of his work is the blues. “Around the world, the blues helped people cross traumas, problems,” he said. “So this also proves that you don’t need to be in the Mississippi Delta to be in the blues stream.”
He explained that his love for jazz came from listening to jazz icon Jim Hall, which reminded him of the sound of guitar-playing in Russian cinema.
Although Roginski blanches at categorizing the music he makes himself, he also views the work of some of his musical heroes as antithetical to genre. “I don’t know if my ‘jazz’ masters like Phil Cohran, Albert Ayler and Henry Threadgill are still in jazz,” he said. “I think it’s a different tradition—that’s more like new folk.
“I was born as a refugee in Germany,” Roginski continued. “My father was Jewish and my mother a mix of Tatar and Uzbeki, so part of my childhood was a very weird reality, like Chinatown mixed with Fiddler on the Roof,” he said with a laugh.
Roginski is a searcher who has traveled widely, absorbing sights and sounds and reaching for new connections. His language may be improvisation, but he refuses to be bound by a single dialect. “I would improvise with a Macedonian drummer more than jazz improv musicians,” he said. “We artists have a mission to be people free from cultural borders. You should breathe all of the air in the world. It’s not hard.”
(For information on the album Raphael Roginski Plays John Coltrane And Langston Hughes, African Mystic Music, visit the Bolt website. The Wexler Oral History Project at the Yiddish Book Center has posted a YouTube video of Roginski improvising on acoustic guitar. To see it, click here.) DB
Onstage, Rollins would move about restlessly, thrusting his tenor sax in the air as he blew.
May 26, 2026 11:08 AM
Sonny Rollins, the iconic saxophonist, composer and improviser whose career stretched from the origins of bebop to 21st…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
Apr 21, 2026 10:00 AM
Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…
Dave King (left) and Reid Anderson offer insights into why The Bad Plus’ chemistry was cool, the accomplishments many and its longevity so fruitful.
May 12, 2026 11:42 AM
The scene still sticks with me. I had heard the oddball name of this new group being dropped around town, and…
How best to mark Miles Davis’ centennial? By allowing the stories to flow, and cross-discussions to happen.
May 26, 2026 10:40 AM
Editor’s Note: The iconic trumpeter, composer and bandleader Miles Davis would have turned 100 today (May 26, 2026).…
Ava Preston, a 12-time DownBeat Student Music Award winner, is currently pursuing her master’s degree in jazz voice at Juilliard.
May 12, 2026 10:00 AM
Ava Preston, from Cleveland, Ohio, was named the winner of the ninth annual Ella Fitzgerald Jazz Vocal Competition on…
